To Sleep With Anger | Theater Critic's Choice | Chicago Reader

To Sleep With Anger 

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It seems scandalous that Charles Burnett, the most gifted black American director offering purely realistic depictions of black urban life, has had to wait for more than a decade to get any of his films distributed in this country, and that this one only got made because Danny Glover agreed to play a leading role in it. (He also served as an executive producer.) Unlike Burnett's previous and undistributed Killer of Sheep and My Brother's Wedding, his new feature is steeped in folklore, but that doesn't prevent the film from giving us a depiction of contemporary black family life richer than we can find anywhere else. The plot concerns the arrival of one Harry Mention (Glover), an old friend from the rural south, on the doorstep of a family living in Los Angeles, and the subtle and not-so-subtle havoc that he wreaks on their lives. The family is headed by a retired farmer (Paul Butler) and his midwife spouse (Mary Alice), whose two married sons (Carl Lumbly and Richard Brooks) are in constant conflict. Babe Brother (Brooks) is married to an upwardly mobile realtor (Sheryl Lee Ralph), and his relative distance from the family's traditional ways is further exacerbated by the outsider's influence on him. When the father mysteriously becomes ill, Harry Mention's baleful and somewhat supernatural effect on the household finally causes a crisis. Burnett's acute and sensitive direction is absolutely free of hackneyed movie conventions; even something as simple as a "Hello" is said differently from the way you've heard it in any other movie. All of Burnett's features have the density of novels, rich with characters and their interplay, and this one is no exception. (Fine Arts)

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