The Sixth Sense | Chicago Reader

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A silent experimental film by Spanish architect Nemesio N. Sobrevila, El sexto sentido never received a general release, but it reportedly constitutes a rare and unique effort of its period (1926), heavily influenced by French Impressionist as well as German expressionist cinema. The leading characters are given such names as “The Vampiress,” “The Optimist,” and “The Pessimist,” and the title refers to the capacities of the camera to get at truth that is inaccessible to the other five senses (which suggests shades of Dziga Vertov).

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