The Man With Three Coffins | Chicago Reader

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This experimental South Korean narrative feature, directed by Chang-ho Lee in 1987, seems closer in some ways to an Alain Resnais film than to most examples of Eastern cinema that come to mind. Interweaving several narrative strands and oscillating between the past and present, this allegorical parable is not always easy to follow in story terms, but its highly original editing, framing, and uses of color never fail to impress.

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