The Last Letter | Chicago Reader

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Frederick Wiseman's first fiction film (2002), a one-woman performance by the Comedie Francaise's skillful and expressive Catherine Samie, is so well made that I can only feel guilty for not liking it more. Its text is taken from a Russian novel by Vasili Grossman; in it the author tries to imagine a letter written to him by his mother, a Jewish doctor in a German-occupied Ukrainian city, shortly before her extermination. The text is vivid and powerful and the performance riveting, although the fancy configurations of expressionist shadow Wiseman employs throughout this black-and-white film suggest that he felt the package needed something more. It does: a little more breathing room for the viewer. In French with subtitles. 61 min.

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