Ten | Chicago Reader

Ten

The minimalism of this Abbas Kiarostami film (2002) makes it one of the boldest experiments yet by the masterful Iranian filmmaker: its ten sequences transpire in a car driving through Tehran, with a stylish young divorcee at the wheel and a series of six characters in the passenger seat. Shot with two digital video cameras mounted on the dashboard, it's neither scripted nor directed in any ordinary sense, but Kiarostami spent a long time preparing the nonprofessional actors (all strong performers). The best scenes involve the driver's spiky ten-year-old son (the only male in the cast, but a fitting stand-in for Iranian patriarchy), a young woman she picks up twice near a shrine, and a prostitute. The film offers a fascinating glimpse of the Iranian urban middle class, and though it eschews most of the pleasures of composition and landscape found in other Kiarostami films, it's never less than riveting. In Persian with subtitles.

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