San Clemente | Chicago Reader

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Not the Casa Pacifica of our erstwhile presidential offender but an insane asylum off the coast of Italy is the subject of this verite documentary by French photojournalist Raymond Depardon (Reporters). There's a level of voyeuristic consciousness in Depardon's work, a sense of the connection between self-reflexive performance and spontaneous event, that deepens his documentary studies in complex, interesting ways. I haven't seen this one, but the subject would seem to offer promise for Depardon's analytical dispassion. (1982).

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