Phantom India | Theater Critic's Choice | Chicago Reader

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The only time I've watched Louis Malle's six-hour, seven-part 1968 documentary series in its entirety was 27 years ago, but seeing two sections again recently reminded me why this may be my favorite of all of his films. Malle's upper-class misanthropy and morbidity have generally alienated me from his work, but this essayistic travel diary avoids any pretense of objectivity in order to present itself as a highly personal search, narrated in excellent English by Malle himself. In the first episode, "The Impossible Camera," Malle addresses the problem of everyone he meets in India describing the country in Western terms, then goes on to reflect on how his filmmaking affects his subjects; from there he takes in everything from a water buffalo being devoured by vultures to interviews with a few European hippies about why they're in India. "Dream and Reality," the fourth part, is centered on Kerala and considers the use of elephants as a workforce, Indians' reverence for life, the destruction of the environment, and the three political parties comprising Kerala's communist majority. With his wide-ranging but rambling approach Malle undoubtedly misses or skimps on certain topics, but his mercurial intelligence keeps this lively and fascinating. Chicago Cultural Center, 78 E. Washington, Monday (parts one through four) and Tuesday (parts five through seven), November 29 and 30, 5:30, 312-744-6630.

--Jonathan Rosenbaum

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