Permanent Vacation | Chicago Reader

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The only Jim Jarmusch feature that qualifies as apprentice work is his first (1980), shot in 16-millimeter for a master's thesis at NYU. Sixteen-year-old drifter Chris Parker plays a version of himself as he walks the decrepit streets of lower Manhattan (the best scene shows him dancing to an Earl Bostic record). Jarmusch has already discovered his milieu, and his interest in both minimalist form and character as plot are already in evidence. But this lacks his characteristic charm, stylistic focus, and feeling for interactions between people, and the slowed-down Javanese gamelan music on the sound track only makes this seem more stodgy and intractable. 80 min.

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