Oscillating Visions: From Underworld to Underground in Japanese Cinema | Chicago Reader

Oscillating Visions: From Underworld to Underground in Japanese Cinema

A two-day series of Japanese avant-garde works: Nagisa Oshima's 1967 feature A Manual of Ninja Arts (Fri 5/31, 7 PM); Toshio Matsumoto's 1971 feature Pandemonium (Sat 6/1, 3 PM), followed by a discussion with Alexander Zahlten, of Harvard University and Tom Gunning of University of Chicago; and Atsushi Yamatoya's 1967 feature Dutch Wife in the Desert (Sat 6/1, 7 PM). For more information see filmstudiescenter.org.

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