OK Mister | Chicago Reader

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Like his first feature, The Mongols (a bizarre, quasi-Godardian comedy about Iranian myths), Parviz Kimiavi's OK Mister is a far cry from realism. In this 1978 farce about the Western exploitation of Iran for oil, an Englishman named D'Arcy (Farrok Gaffari) recruits an American journalist, an anthropologist, and none other than Cinderella herself, all of whom arrive via balloon, to assist him in gaining the support of a remote Persian village while he digs for oil; numerous American gadgets and products—TV, Coca-Cola, T-shirts—along with other symbols of the American way of life, are used to convert the populace. The overall spirit behind this satiric whimsy is sympathetic, but unfortunately the arch tone—including the facetious employment of several songs from Disney's Snow White and the Seven Dwarfs—doesn't produce all the intended laughs, partially because the targets of Kimiavi's ridicule seem loosely rather than pointedly conceived. Still, it must be admitted that the oddness of this movie (a distinct carryover from The Mongols) makes it a genuine novelty, particularly in relation to other Iranian pictures.

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