Moonlighting | Chicago Reader

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Conceived and shot in the space of a few weeks due to the Solidarity crisis of December 1981, Jerzy Skolimowski's black comedy is much more than a political tract: it's a profound, gripping comedy of terror and isolation, oppression and entrapment. Jeremy Irons, in a performance worthy of Chaplin, is the head of a Polish construction crew doing illegal work on a flat in London; when the military coup occurs back home, Irons—the only member of the group who speaks English—must keep it a secret from his men. Though the film is founded on a metaphor, it is never forced or abstract: Skolimowski's direction is a concrete creative response to these actors in this setting at this time, making full expressive use of the details, gestures, and situations at hand. It is, in short, a film—unimaginable as theater or literature—and very possibly a great one.

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