Le coup de berger | Chicago Reader

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Jacques Rivette's first foray into “professional” filmmaking was this very uncharacteristic and relatively conventional half-hour 35-millimeter short. The plot, which involves the complex trajectory of a fur coat, dimly suggests Max Ophuls's Madame de . . . ; Rivette himself narrates the anecdote in terms of chess moves, one of which serves as the film's title. Claude Chabrol, who coproduced, also collaborated on the script with Rivette, and in some respects it now looks more like part of his work than Rivette's; Jean-Luc Godard and Francois Truffaut put in cameo appearances (1956).

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