Indiana Jones and the Temple of Doom | Chicago Reader

Indiana Jones and the Temple of Doom

Steven Spielberg's 1984 sequel is quite a bit better than Raiders of the Lost Ark: the pacing is much more assured and effective (there are actual peaks and valleys in the action) and the situations are more imaginative and varied. Spielberg has developed the spatial contrasts of his visual style (particularly his trick of lighting his backgrounds more brightly than his foregrounds), creating a seductively dimensional look that at moments suggests Raoul Walsh. Yet the blunt Freudian images of George Lucas's story (the film is a male birth fantasy in which the hero must deliver a tribe of children from slavery in a dark, damp mine shaft) and the relentlessly juvenile focus of Spielberg's mise-en-scene come to seem oppressive and pandering; the film betrays no human impulse higher than that of a ten-year-old boy trying to gross out his baby sister by dangling a dead worm in her face. With Harrison Ford and Kate Capshaw.



  • Steven Spielberg


  • Harrison Ford
  • Kate Capshaw
  • Ke Huy Quan
  • Amrish Puri
  • Roshan Seth
  • Philip Stone
  • Dan Aykroyd


  • Willard Huyck
  • Gloria Katz


  • Kathleen Kennedy
  • George Lucas
  • Frank Marshall
  • Robert Watts

What others are saying

  • Reviews/comments

    Subscribe to this thread:

    Add a review

    Roll over stars and click to rate.

    Now Playing

    By Film...

    By Theater...