El dia que me quieras AND Eureka | Chicago Reader

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Two fascinating 16-millimeter experimental films, both involving history. El dia que me quieras (1997, 30 min.), which translates as “The Day You'll Love Me,” is by Argentinean-American Leandro Katz and mixes color with black and white in a poetic meditation on the famous 1967 photograph of Che Guevara's corpse surrounded by his Bolivian captors. Its investigation is threaded through an extended contemporary interview with the photographer, Freddy Alborta, and a Jorge Luis Borges text adapted and read by Katz. Ernie Gehr's Eureka (1974, 30 min.) unpacks and illuminates footage of San Francisco's Market Street taken about a century ago.

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