NOTE: Even though many businesses have begun re-opening, generally at reduced capacities and with many restrictions, music venues and theaters in particular are likely to remain closed for some time. For any in-person event, check with the venue or event organizer to confirm details or for information about any health and safety plans in place. We are maintaining a list of cancellations and making updates as events are rescheduled for later dates. We have also added new listings for online events, including online theater and performing arts events and streaming concerts and music events.
Maybe the best thing to do when people call you a prodigy is take it lightly. Seventeen-year-old Marcel Everett, aka XXYYXX, doesn’t seem overly impressed that people are fawning over his experimental electro—he spent much of a 2012 interview with Noisey ruminating about his alleged upper-level role in the Illuminati and referring to Bon Iver as “Bonny Bear.” On the recent single “Pay Attention” and on the two albums he released last year—a self-titled record for the Relief in Abstract label and a self-released collection called Mystify—the Orlando-based young ’un cunningly dices his minimalist beats in such an off-kilter way that it almost negates their danceability, requiring you to dig for the groove and thus thoroughly explore what you’re listening to. It’s mind-boggling to think he’s only been at it for a couple years. His bedroom tracks are sometimes cosmic, with sharp-edged washes of samples speeding past one another, and sometimes seething, with a dark underbelly that crackles and pops while a distorted beat tries to burrow to the surface. Teenagers, am I right? —Kevin Warwick Chvrches headline; XXYYXX opens. Both acts also play at Lincoln Hall on Tue 9/10.
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