A Difficult Life | Chicago Reader

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Alberto Sordi as a former resistance fighter come on hard times in the crass consumer 60s. A departure from the farcicality and fluff that defined director Dino Risi's comedy style in the 50s (Love and Larceny); the emphasis is on satire with a more serious social edge, marking an odd gesture back toward the postwar neorealism that Risi's popular entertainments had originally helped to subvert (1961).
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