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  • Le Quattro Volte (NR)

    Hard-core formalist filmmaking from Italy—grandly pictorial, completely wordless, and resolutely thematic in its development of four linked episodes about death, decay, and generation. more...
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  • The Quiet Man (NR)

    John Ford's 1952 Oscar winner is a tribute to an Ireland that exists only in the imaginations of songwriters and poets like Ford, a fairy green place where people really do say "faith and begorrah." more...
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  • Quills

    Personally, I find the notion of a politically correct Marquis de Sade ridiculous enough to be hilarious, but this didn't prevent me from thoroughly enjoying Philip Kaufman's silly romp, adapted by Doug Wright from his own play. more...