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  • Days of Being Wild

    Wong Kar-wai's idiosyncratic style first became apparent in this gorgeously moody second feature (1991), whose romantic vision of 1960 Hong Kong as a network of unfulfilled longings would later echo through In the Mood for Love. more...
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  • Dirty Wars (NR)

    The flood of theatrical documentaries about the War on Terror—Fahrenheit 9/11 (2004), Why We Fight (2005), The Ground Truth (2006), No End in Sight (2007), Taxi to the Dark Side (2007), Standard Operating Procedure (2008)—has slowed to a trickle since President Obama took office, which makes this uncompromising exposé from reporter Jeremy Scahill even more important. more...
  • Desire

    Nominally directed by Frank Borzage, this engaging 1936 romantic comedy about an American executive (Gary Cooper) who spends his Riviera vacation with a jewel thief (Marlene Dietrich) was produced by Ernst Lubitsch, and reflects his personality much more than Borzage's. more...
  • Dracula
  • Dracula

    In the early days of talking pictures, studios produced alternate versions of movies for the foreign market, and this 1931 Spanish-language feature, shot at night after Bela Lugosi and company had gone home, has been touted by horror geeks as an improvement over the U.S. release. more...
  • Daisies

    My favorite Czech film, and surely one of the most exhilarating stylistic and psychedelic eruptions of the 60s, this madcap and aggressive feminist farce by Vera Chytilova explodes in any number of directions. more...
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  • Doubt

    John Patrick Shanley adapted his own Pulitzer-winning play for this compelling drama about an archconservative nun (Meryl Streep) and a progressive priest (Philip Seymour Hoffman) clashing in a working-class Bronx parish in 1964. more...
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  • Do the Right Thing (R)

    With the possible exception of his cable miniseries When the Levees Broke, this 1989 feature is still Spike Lee's best work, chronicling a very hot day on a single block of Brooklyn's Bedford-Stuyvesant neighborhood, when a series of minor encounters and incidents lead to an explosion of racial violence at an Italian-owned pizzeria. more...
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  • Les Dames du Bois de Boulogne (NR)

    Robert Bresson's ravishing second feature (1945) relocates a self-contained anecdote from Diderot's 18th-century Jacques le Fataliste in a modern setting, with dialogue by Cocteau, about a jealous woman (Maria Casares), ditched by her lover (Paul Bernard), who takes her revenge by tricking the man into marrying a prostitute (Elina Labourdette). more...
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