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  • Rabid (R)

    Porn queen Marilyn Chambers in an aggressive little horror movie from Canada. more...
  • Raging Bull (R)

    I can't pan it, but this 1980 fantasy biography of fighter Jake LaMotta seems unquestionably Martin Scorsese's weakest work, at least to that point in his career. more...
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  • Raging Bull (R)

    I can't pan it, but this 1980 fantasy biography of fighter Jake LaMotta seems unquestionably Martin Scorsese's weakest work, at least to that point in his career. more...
  • The Railway Man (R)

    Captured by the Japanese in the 1942 invasion of Singapore, British officer Eric Lomax labored over the Thailand-Burma Railway, just like the soldiers in The Bridge on the River Kwai (1957), but given the torture and deprivation he endured, this adaptation of his 1995 memoir is unlikely to send you out of the theater whistling. more...
  • Raising Cain (R)

    Brian De Palma's 1992 thriller borders on incoherence and irrelevance as plot, but as a chance for De Palma to perform stylistic pirouettes around a void, it's full of sleek and pleasurable moments. more...
  • Ran (R)

    Akira Kurosawa's 1985 film is slightly marred by some too obvious straining toward masterpiece status, yet it's a stunning achievement in epic cinema. more...
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  • The Raven (R)

    Edgar Allan Poe invented the detective story, so turning him into the heroic sleuth of a mystery thriller makes perfect sense, and the much-debated circumstances of his death in October 1849 provide an ideal jumping-off point for this macabre entertainment. more...
  • Ravenous (R)

    This dark fantasy-adventure (1999), set in the Sierra Nevada mountains in 1847, is at its best when it's least overtly allegorical—and fortunately that's most of the time. more...
  • Raw Meat (R)

    Almost as gruesome as the title implies, this 1972 British feature about the search for a colony of cannibals in the London underground lets a good idea go sour under Gary Sherman's languid direction. more...
  • Read My Lips (R)

    A classic premise of film noir—a virtuous woman drawn to a man with a shady past—gets a postfeminist update in this carefully scripted French thriller by Jacques Audiard (A Prophet). more...