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  • Cabaret (PG)

    Bob Fosse pretends to be doing a Brecht-Weill while actually further sentimentalizing and glamorizing Christopher Isherwood's Goodbye to Berlin—adapted by Jay Presson Allen, and apparently closer to the play I Am a Camera than to the Broadway show. more...
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  • Cairo Time (PG)

    In this superior indie drama, a Canadian woman (the luminous Patricia Clarkson) arrives in Cairo expecting to meet her husband, a UN staffer, for an Egyptian vacation. more...
  • The Car (PG)

    Possessed by the devil, a customized luxury sedan terrorizes a New Mexico town. more...
  • Caramel (PG)

    In this seductive 2007 ensemble comedy, director and cowriter Nadine Labaki stars as the Christian proprietor of a Beirut beauty salon who's stuck in a dead-end affair with a married man. Emotional support comes from her staff and clientele, including a woman who suppresses her lesbianism, a Muslim who's concealing her loss of virginity from her fiance, a menopausal divorcee who auditions for TV commercials, and an aging seamstress whose incipient autumn romance is threatened by the demands of her senile older sister. more...
  • Casablanca (PG)

    Part of what makes this wartime Hollywood drama (1942) about love and political commitment so fondly remembered is its evocation of a time when the sentiment of this country about certain things appeared to be unified. more...
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  • The Case for Christ (PG)

    A journalist (MIke Vogel) sets out to disprove the existence of God after his wife (Erika Christensen) embraces Christianity. more...
  • Casper (PG)

    It's not clear why Steven Spielberg's Amblin decided to make a live-action entertainment starring the least interesting and most saccharine of all 50s cartoon characters, the friendly ghost who can't help scaring people, but here's your chance to search for an answer. more...
  • Cats
  • Cats (PG)

    Cats the movie makes Cats the stage musical look like Hamilton, never mind that Cats the stage musical is to Hamilton as 45’s Sharpie notes are to Shakespeare. more...
  • Charley Varrick (PG)

    Don Siegel wants to turn the tables on the paranoid fantasies that have animated some of his best films (Invasion of the Body Snatchers, Madigan, Dirty Harry), but he never lets this get in the way of his impressive sense of humor and undisputed mastery at constructing an action film. more...
  • Charlie and the Chocolate Factory (PG)

    Tim Burton finally fulfills the promise of Beetlejuice (1988) with this imaginative masterpiece (2005), adapted from the 1964 children's book by Roald Dahl but characterized by Burton's special feeling for color, architecture, and nightmarish dislocation. more...