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  • Cabaret (PG)

    Bob Fosse pretends to be doing a Brecht-Weill while actually further sentimentalizing and glamorizing Christopher Isherwood's Goodbye to Berlin—adapted by Jay Presson Allen, and apparently closer to the play I Am a Camera than to the Broadway show. more...
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  • The Cabin in the Woods (R)

    Sort of a postmodern Scooby-Doo, this horror flick by Buffy the Vampire Slayer collaborators Joss Whedon and Drew Goddard cuts between a familiar story of five college kids being hunted by zombies at the title location and scenes of two snarky white-collar technicians (Richard Jenkins, Bradley Whitford) monitoring the slaughter from a NASA-type control center. more...
  • Cache (R)

    This brilliant if unpleasant puzzle without a solution, about surveillance and various kinds of denial, finds writer-director Michael Haneke near the top of his game, though it's not a game everyone will want to play (2005). more...
  • Caesar Must Die

    The great Italian directors Paolo and Vittorio Taviani film the staging of Julius Caesar with inmates of the Rebibbia Maximum-Security Prison in Rome; the result is not a straight documentary but an eccentric Shakespeare adaptation, a condensed version of the play assembled from months of rehearsal footage. more...
  • Cake (R)

    Glamorous movie actresses often win respect through highly unflattering roles: Jessica Lange ranting and raving as the mentally ill starlet in Frances (1982), Nicole Kidman wearing dowdy outfits and a prosthetic nose as Virginia Woolf in The Hours (2002), Charlize Theron grunging out as trailer-trash serial killer Aileen Wuornos in Monster (2003). more...
  • The Call (R)

    Brad Anderson, the skilled genre stylist behind the cult horror favorites Session 9 (2001) and Vanishing on 7th Street (2010), directed this thriller in which a highly proficient 911 operator (Halle Berry) takes a call from a teenager (Abigail Breslin) who's been abducted by a serial killer (Michael Eklund). more...
  • Calvary
  • Calvary (R)

    Everyone has a breaking point, and James Lavelle, the Irish Catholic priest at the center of John Michael McDonagh's Calvary, reaches his one afternoon as he's strolling down a secluded path toward the seaside in his little village of Rush, County Sligo. more...
  • Cameraperson
  • Cameraperson

    Kirsten Johnson assembled this impressionistic memoir from footage she shot over 25 years as a documentary cinematographer, working for such filmmakers as Michael Moore, Laura Poitras, Gini Reticker, Amy Ziering, and Kirby Dick. more...
  • Camp X-Ray
  • Camp X-Ray (R)

    A tough young soldier (Kristen Stewart of Twilight), eager to see the world and prove herself, is assigned to the detention camp at Guantanamo Bay Naval Base, where her growing friendship with one of the prisoners (Peyman Moaadi of A Separation) puts her at odds with her superiors. more...
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  • The Campaign (R)

    Will Ferrell stars as a sleazy North Carolina congressman who flounders in his race for a fifth term after his sexual peccadillos become public, and Zach Galifianakis is the dweeby tourism official drafted by two billionaire brothers to challenge him for the seat. more...
  • Cape No. 7

    A washed-up rock singer returns to his native village and is tapped to organize an opening band for a local show by a big Japanese act. more...
  • Capernaum (R)

    Shot over six months, Capernaum is documentary in feel, based on years of research and interviews Labaki and her collaborators conducted with refugees and neglected, abandoned, and/or incarcerated minors. more...
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  • Capitalism: A Love Story (R)

    Michael Moore catalogs some of the more grotesque outrages of the second Gilded Age: the predatory lending that led to the 2008 bank bailout, corporations taking out life insurance policies on their rank-and-file employees, airline personnel so poorly paid they have to moonlight to pay their bills. more...