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  • First Reformed
  • First Reformed (R)

    Still best known as the screenwriter of Taxi Driver (1976), veteran director Paul Schrader indulges his two big passions—Calvinism and bloodletting—with this audacious drama. more...
  • The Rider
  • The Rider (R)

    An extraordinary translation of life into art, Chloé Zhao's drama fictionalizes the experiences of Brady Jandreau, a Lakota cowboy on the Pine Ridge Indian Reservation in South Dakota, whose rodeo career ended in April 2016 after a bucking bronco threw him and stepped on his skull. more...
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  • Beirut
  • Beirut (R)

    Screenwriter Tony Gilroy (Michael Clayton) set out to write an international thriller that harked back to John LeCarré but was properly scaled to a feature film, and his script strikes a perfect balance between suspense and geopolitical context. more...
  • Lean on Pete
  • Lean on Pete (R)

    In Andrew Haigh's moving indie drama Lean on Pete, a motherless 15-year-old boy in Portland, Oregon, gets a part-time job caring for horses at the local racetrack and bonds with a five-year-old quarter horse named Pete; when the stallion begins losing and faces a trip to the glue factory, young Charley (Charlie Plummer) makes off with Pete and the two set out on a treacherous cross-country journey together. more...
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  • Thoroughbreds
  • Thoroughbreds (R)

    Two privileged teens—a strict disciplinarian's resentful stepdaughter (Anya Taylor-Joy) and her emotionless friend (Olivia Cooke)—explore their dark sides in this transgressive psychological thriller, set amid the manicured estates and equestrian pursuits of suburban Connecticut. more...
  • Foxtrot
  • Foxtrot (R)

    A parent's worst nightmare befalls the middle-class Feldmanns of Tel Aviv when soldiers arrive at the door with news that their elder child has been killed in action. more...
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  • Game Night
  • Game Night (R)

    I've always found Jason Bateman's comedies to be a pretty good bet; he’s never doubled me over, but the movies he's produced (Identity Thief, Bad Words, The Family Fang) are abundantly clever, with dialogue that manages to be hilariously mean but essentially harmless. more...
  • A Fantastic Woman
  • A Fantastic Woman (R)

    Chilean filmmaker Sebastián Lelio found an international audience with Gloria (2013), which gave Paulina García the role of a lifetime as a tough, impetuous, lonely divorcee; this follow-up (2017), starring Daniela Vega as a trans woman coming out of the shadows, cements Lelio's reputation as a filmmaker who—like George Cukor or Pedro Almodóvar—knows how to treat a lady. more...
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  • Mom and Dad
  • Mom and Dad (R)

    A virus spread through radio and video static impels parents to murder their children in this brilliant horror comedy from writer-director Brian Taylor (Crank, Ghost Rider: Spirit of Vengeance). more...
  • Tully
  • Tully (R)

    When fledgling screenwriter Diablo Cody was nominated for an Academy Award in 2008, feature writers across the U.S. clicked their heels to learn that she'd once worked as a pole dancer. more...
  • All the Money in the World
  • All the Money in the World (R)

    Ridley Scott's tony thriller about the 1973 kidnapping of John Paul Getty III, grandson of the imperious oil billionaire, was already primed for release when sexual assault allegations against Kevin Spacey, who played the old man, forced Scott to reshoot all his scenes with another actor, Christopher Plummer. more...