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  • Rocketman
  • Rocketman (R)

    This fantastical take on musician Elton John is closer to the unconventional Bob Dylan biopic I’m Not There than a straightforward chronicle, which is undoubtedly how the unconventional artist at its center wanted it to be. more...
  • Robin Hood
  • Robin Hood (PG-13)

    This hyperactive adventure movie about the legendary 13th century brigand and champion of the downtrodden doesn't remotely qualify as a period piece, so relentlessly do the filmmakers pile on anachronisms, presumably in a bid to appear relevant to youthful audiences. more...
  • Red Sparrow
  • Red Sparrow (R)

    This thriller about modern Russian and U.S. spies was adapted from a novel by a former CIA operative, but it plays like a Hollywood movie from the 1940s. more...
  • Roma
  • Roma (R)

    Set in the early 70s and based largely on experiences from his childhood, this eighth feature by Alfonso Cuarón follows Cleo (Yalitza Aparicio, whose silent expressiveness recalls that of Falconetti in The Passion of Joan of Arc), a live-in housemaid for an upper-middle-class family in Mexico City, while she contends with an unexpected pregnancy amidst domestic and political turmoil. more...
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  • Red Joan
  • Red Joan (R)

    This tony docudrama is loosely based on the life of Melita Norwood, a British woman who smuggled state secrets to the Soviets from the 1930s to the 1970s and wasn’t exposed until 1999. more...
  • Rebel in the Rye
  • Rebel in the Rye (PG-13)

    Danny Strong, who scripted Lee Daniels's marvelous The Butler, makes his directing debut with this formulaic biopic of J.D. Salinger, covering the author's life in the 1940s and early '50s and focusing on his creation of The Catcher in the Rye. more...
  • Risk
  • Risk (NR)

    "The film has become a severe threat to my freedom, and I'm forced to treat it accordingly," wrote WikiLeaks founder Julian Assange in a message to Oscar-winning documentary maker Laura Poitras (Citizenfour) that she reads in voice-over near the end of Risk. more...