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  • The Equalizer 2
  • The Equalizer 2 (R)

    Denzel Washington reteams with director Antoine Fuqua for this sequel to their 2014 actioner about a former CIA operative with a sense of social justice. more...
  • Eighth Grade
  • Eighth Grade (R)

    Not since Welcome to the Dollhouse (1995) has a comedy captured so vividly the agony and the ecstasy—well, OK, it's all agony—of being a homely, marginalized teenage girl. more...
  • Everybody Knows (R)

    Perhaps the most internationally recognized Iranian filmmaker presently working, Asghar Farhadi has now made two movies in countries other than Iran, The Past (2013) and Everybody Knows (2018). more...
  • Elvis & Nixon (R)

    Elvis & Nixon chronicles the day in December 1970, treasured by absurdists and pop-culture fanatics the world over, when Elvis Presley got himself invited to the Oval Office to talk with President Richard Nixon. more...
  • Elle
  • Elle (R)

    Dutch writer-director Paul Verhoeven, making his first French-language film, returns to the themes of sexual perversion and errant womanhood he mined in Basic Instinct (1992) and Showgirls (1995). more...
  • Everybody Wants Some!!
  • Everybody Wants Some!! (R)

    After the critically acclaimed Boyhood, Richard Linklater takes a giant step backward, to the party-hearty laughs of his early cult favorite Dazed and Confused (1993). more...
  • Eye in the Sky
  • Eye in the Sky (R)

    In this UK thriller, director Gavin Hood (Tsotsi) presents in disturbing detail the logistical and ethical course-plotting of a multinational drone strike against a Kenyan target. more...
  • The Edge of Seventeen
  • The Edge of Seventeen (R)

    A garrulous, unpopular high school student (Hailee Steinfeld) seethes when her studly brother (Blake Jenner) begins dating her only friend (Haley Lu Richardson). more...
  • The Eyes of My Mother
  • The Eyes of My Mother (R)

    In this baffling horror fable—the first feature from writer-director Nicolas Pesce—a girl witnesses the murder of her beloved mother (Diana Agostini) by a vagrant and is mesmerized, rather than repelled, by the act. more...
  • The End of the Tour
  • The End of the Tour (R)

    Adapted from David Lipsky's book Although of Course You End Up Becoming Yourself, this moving, morally engaged drama chronicles the five-day road trip that Lipsky, then a staff writer for Rolling Stone, took with novelist David Foster Wallace in 1996 as the latter embarked on a reading tour for his just-published opus Infinite Jest. more...
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  • Entourage
  • Entourage (R)

    I don't watch a ton of television, but I reserve Sunday nights for unwinding and zoning out to just about anything. more...