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  • The Revenant
  • The Revenant (R)

    By the time Alejandro González Iñárritu (Birdman or (The Unexpected Virtue of Ignorance)) finished shooting locations for this wilderness-survival drama its budget had more than doubled, to $135 million, but at least the money was spent recording the world instead of creating it with pixels. more...
  • Rhymes for Young Ghouls
  • Rhymes for Young Ghouls (R)

    This debut feature by Canadian writer-director Jeff Barnaby takes place in 1976 on a Red Crow Indian reservation in rural Quebec. more...
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  • Riddick (R)

    In the third installment of this sci-fi franchise, Vin Diesel returns as the titular intergalactic convict, whose vision is impaired by day but crystal clear by night. more...
  • Road House (R)

    This vehicle for Patrick Swayze (Dirty Dancing), directed by Rowdy Herrington, begins as a kind of contemporary western, with the hero arriving in a Missouri town to "clean up" a roadhouse called the Double Deuce as a "cooler" who manages the bouncers; eventually it mutates into a paranoid revenge plot that might be called Walking Short, with the hero up against Ben Gazzara as the evil villain who runs the town and destroys everyone who gets in his way. more...
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  • The Road to Freedom (R)

    Brendan Moriarty makes his directing debut with this speculative tale about what happened to Sean Flynn—the son of movie star Errol Flynn—who disappeared in 1970 while photographing the Vietnam war for Time magazine. more...
  • Road to Nowhere (R)

    His first feature in 21 years, this is also Monte Hellman's finest work, a hall-of-mirrors masterpiece about moviemaking with diversions more complex, and more enticing, than in the director's previous efforts (Ride in the Whirlwind, Two-Lane Blacktop). more...
  • Road to Perdition (R)

    Sam Mendes's 2002 follow-up to American Beauty finds him every bit as adept, arty, and Oscar hungry. more...
  • The Road (R)

    After three teenagers disappear along an abandoned road, investigators uncover its 20-year history as a site of various kidnappings and murders. more...
  • The Road (R)

    John Hillcoat, who made a name for himself with the leathery Australian western The Proposition (2005), takes on the daunting task of adapting Cormac McCarthy's bleak novel about a man and his son trying to survive in a postapocalyptic U.S. Portrayed ad infinitum in sci-fi and fantasy, the postapocalypse may now seem about as scary as Post Raisin Bran, but Hillcoat gives it an unnerving solidity by focusing on the drab details of survival and linking them to the more hellish aspects of modern American life. more...