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  • The Good, the Bad and the Ugly (R)

    Sergio Leone's comic, cynical, inexplicably moving epic spaghetti western (1966), in which all human motivation has been reduced to greed—it's just a matter of degree between the Good (Clint Eastwood), the Bad (Lee Van Cleef), and the Ugly (Eli Wallach). more...
  • The Grand Duel (R)

    Lee Van Cleef stars as an ex-sheriff who helps a man framed for murder escape from bounty hunters in this 1972 western, directed by Giancarlo Santi. more...
  • Gunman's Walk

    Phil Karlson (The Phenix City Story, Kansas City Confidential) directed this thematically complex Western, about a racist, belligerent cowboy (Tab Hunter) and his tumultuous relationship with his enabling father (Van Heflin). more...
  • The Halliday Brand

    Joseph Cotten and Viveca Lindfors star in this 1957 western, a late and little-seen feature from cult director Joseph H. Lewis (Gun Crazy, My Name Is Julia Ross, Terror in a Texas Town). more...
  • The Hateful Eight (R)

    Django Unchained convinced me that Quentin Tarantino is out of ideas; this follow-up, another western, didn't persuade me otherwise, but it takes a more thoughtful approach to his usual preoccupations (revenge, mainly). more...
  • The Hateful Eight (70mm) (R)

    Django Unchained convinced me that Quentin Tarantino is out of ideas; this follow-up, another western, didn't persuade me otherwise, but it takes a more thoughtful approach to his usual preoccupations (revenge, mainly). more...
  • Hawaiian Buckaroo (NR)

    Ray Taylor directed this 1938 drama starring Robert Taylor as a singing cowboy who saves a ranch in Hawaii. more...
  • Heaven's Gate (R)

    Well, it really is a stinker, a compendium of The Deer Hunter's weaknesses (of plotting, narration, dialogue, and character) with few of its lyrical strengths. more...
  • Heaven's Gate

    The full-length cut of Michael Cimino's epic western (1980), whose resounding commercial flop (in a studio cut running 149 minutes) has been blamed for the demise of not only United Artists but the auteurist American cinema of the 1970s. more...
  • Heaven's Gate

    Michael Cimino's 1980 epic, about immigrant settlers clashing with native capitalists in 19th-century Wyoming, suffered a disastrous opening and was subsequently cut by 70 minutes; it became a legendary flop in the U.S., though the original 219-minute cut was widely applauded as a masterpiece in Europe. more...
  • The Hellbenders

    This 1967 spaghetti western stars Joseph Cotten as a former southern colonel on a mad mission to revive the Confederate army. more...
  • High Noon (PG)

    After many years of being vastly overrated, this liberal “adult” western of 1952 may be underrated in some quarters today. more...
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