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  • Kalamity (R)

    Nick Stahl stars as a man who returns to his hometown in northern Virginia and learns that one of his old buddies has become erratic and possibly dangerous. more...
  • Keep Watching

    Sean Carter directed this thriller in which a family are stalked by home invaders who are live-streaming the break-in online. more...
  • Key Largo

    A little windy and rhetorical for my taste, but still one of John Huston's best efforts (1948), a melodrama of ethics that soundly represses the Maxwell Anderson play it was based on (the ending is actually a lift from To Have and Have Not). more...
  • Kidnap
  • Kidnap (R)

    Halle Berry stars in this fast-moving thriller, as a divorced mother who goes into attack mode once her six-year-old son gets abducted. more...
  • Kill List (NR)

    This 2011 second feature by British director Ben Wheatly (Down Terrace) may contain some art-movie flourishes (Cassavetes-style improvisation, an avant-garde score), but at heart it's just an exploitation film whose chief aim is to make people throw up. more...
  • Kill the Messenger (R)

    Gary Webb, an investigative reporter for the humble San Jose Mercury News, broke one of the biggest national news stories of 1996 with his three-part series "Dark Alliance," documenting the CIA's involvement with Nicaraguan drug dealers who had flooded Los Angeles with crack and funneled money to the Contras. more...
  • Killer Elite (R)

    Pure punishment, this rote action flick from Australia features a trio of big names—Jason Statham, Clive Owen, and Robert De Niro—in a globe-trotting story about a vengeful Arab sheikh, a secret assassination squad, and righteous special ops warriors from the UK. more...
  • The Killer Inside Me (R)

    Shape-shifting British director Michael Winterbottom—whose filmography ranges from rock comedy (24 Hour Party People) to harsh social drama (In This World) to literary postmodernism (Tristram Shandy: A Cock and Bull Story) to sexual rhapsody (9 Songs)—takes on the uniquely searching and sinister pulp fiction of Jim Thompson. more...
  • The Killing

    Arguably Stanley Kubrick's most perfectly conceived and executed film, this 1956 noirish thriller utilizes an intricate overlapping time structure to depict the planning and execution of a plot to steal $2 million from a racetrack. more...
  • Killing Lazarus
  • Killing Lazarus

    A diffident and religious drug dealer (Deji LaRay) butts heads with his volatile business partner and best friend from childhood (Tracey Dukes) in this gritty drama, which explores the mental and emotional survival strategies of black males from rough neighborhoods. more...
  • The Killing of a Sacred Deer
  • The Killing of a Sacred Deer (R)

    After such menacing dadaist comedies as Dogtooth (2009) and The Lobster (2015), Greek writer-director Yorgos Lanthimos settles down with a conventional suspense story about a buttoned-down cardiovascular surgeon (Colin Farrell in a thick beard) being harassed by a fatherless teenager with an ax to grind (Barry Keoghan). more...
  • Kin
  • Kin (PG-13)

    This stylish debut feature by directors Jonathan Baker and his twin Josh Baker mashes up genres like a Cuisinart, and their hybrid of family drama, sci-fi action, crime thriller, coming-of-age story, and road movie mostly works, despite some occasionally thudding B-movie dialogue. more...
  • Kiss Kiss, Bang Bang (R)

    Screenwriter Shane Black (Lethal Weapon, Last Action Hero) makes his directing debut with this cheerful mess of a pulp-fiction parody, pumped full of laughs by Michelle Monaghan, Val Kilmer, and Robert Downey Jr. An east-coast thief (Downey) is improbably lured out west for a screen test and schooled for his role by a gay private eye (Kilmer); after the crook encounters an old childhood friend (Monaghan), the three are drawn into a convoluted web of intrigue. more...