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  • Hazard

    Paulette Godard stars in this 1948 comedy from Paramount, as a gambler who wagers her own hand in marriage, loses it to a card shark, and goes on the run. more...
  • Hermano (R)

    Two young brothers living on the streets hope that professional soccer will be their ticket out of poverty. more...
  • Headhunters (R)

    A corporate job recruiter who doubles as an art thief faces a series of life-or-death situations after a rival criminal frames him for murder. more...
  • Holy Rollers (R)

    Though several notches above the last Hasidic crime drama I remember (Sidney Lumet's daffy A Stranger Among Us, with Melanie Griffith as an undercover cop among New York's ultra-Orthodox), this lackluster indie proves that the flattening power of cliche can trump even the most exotic social setting. more...
  • The Harder They Come (R)

    With this 1972 cult hit, Jamaican filmmaker Perry Henzell produced a proud, forthright indictment of national and personal corruption, as evoked through a young reggae singer's odyssey from country to city, from innocent to outlaw. more...
  • High and Low (NR)

    I would nominate this authoritative 1962 adaptation of Ed McBain's novel The King's Ransom as Akira Kurosawa's best nonperiod picture, though Ikiru and Rhapsody in August are tough competitors. more...
  • Human Desire

    Fritz Lang's 1954 American version of the Zola novel (and Renoir film) La Bete Humaine. more...
  • He Ran All the Way (NR)

    Shortly before he was driven into exile by the Hollywood blacklist, the talented and neglected John Berry made this 1951 film, the last of John Garfield, who died of a heart attack at 39 (many believe in part because of pressures related to his own blacklisting). more...