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  • Broken City (R)

    Solid but unambitious, this detective movie recalls a late-40s noir programmer in its brisk plotting and gritty but affectionate portrait of city life. more...
  • Brooklyn's Finest

    If there were any more cops on the edge in this arrhythmic, ham-fisted crime drama, Brooklyn would need a bigger edge. more...
  • Bucktown
  • Bucktown (R)

    A world-traveling loner (Fred Williamson) arrives in a small midwestern town to bury his brother but winds up sticking around to mete out justice and win the love of a good woman (Pam Grier). more...
  • Bullet to the Head (R)

    Sylvester Stallone teams up with Walter Hill—whose early triumphs like The Warriors (1979) and Southern Comfort (1981) have long since given way to action vehicles for Mickey Rourke, Bruce Willis, and Wesley Snipes—for a routine crime picture along the lines of Hill’s big hit 48 Hours (1982). more...
  • Bullhead (R)

    Nominated for an Oscar as best foreign film, this Belgian import about crime in the cattle business lays it on pretty thick with the bull metaphors: the protagonist (Matthias Schoenaerts), a tall and well-muscled cattle farmer, has been injecting himself with testosterone since he was a boy and a local bully beat his genitals to a pulp with a brick (just as his family have been injecting their stock with hormones for years). more...
  • New
    Caprice

    Universally derided (on this side of the Atlantic) at the time of its release (1967), this remarkably acid satire on the hideousness of American consumerism stars Doris Day as an industrial spy who inadvertently becomes mixed up in espionage, with Richard Harris. more...
  • The Chase

    A cluttered, erratic, uncertain movie (1966)—and, if you can see past the blowsy trappings of southern gothic, a good one. more...
  • Chongqing Hot Pot (NR)

    A group of friends stumble across a large sum of money after their restaurant goes bankrupt and must consider how far they are willing to go to save the restaurant. more...