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  • Run All Night
  • Run All Night (R)

    Explaining the convoluted backstory in this Liam Neeson actioner would take more space than I have here, so I'll just cut to the chase—his character, a broken-down hit man, goes on the run with his estranged, upright son (Joel Kinnaman) to save the young man from a ruthless mob boss (Ed Harris). more...
  • Robin and the 7 Hoods

    The Rat Pack—Frank Sinatra, Dean Martin, and Sammy Davis Jr.—in a raucous, uneven musical about a Chicago gangster (Sinatra) who becomes the hero of the city when he (inadvertently) shares his boodle with the poor (1964). more...
  • Red Riding: 1983 (NR)

    The third and last installment of the "Red Riding" trilogy (2009) works overtime to tie up all the loose ends from the previous two movies, which prevents it from developing any story momentum or thematic integrity of its own. more...
  • Red Riding: 1974 (NR)

    Adapted from a series of novels by David Peace, the "Red Riding" trilogy (2009) incorporates true-crime stories from the north of England into a sweeping neo-noir saga in which the cops are as predatory as the criminals. more...
  • The Robber (NR)

    The lone-wolf protagonists of Michael Mann's films look like glad-handing Rotarians compared to the stone-faced bank robber and champion marathoner at the center of this Austrian drama. more...
  • Road to Perdition (R)

    Sam Mendes's 2002 follow-up to American Beauty finds him every bit as adept, arty, and Oscar hungry. more...
  • Romeo Is Bleeding (R)

    This gory, postmodernist fruit salad (1993) may be the most misogynistic piece of noir since Body Heat, though as in Basic Instinct a certain amount of giddy dominatrix worship—in this case focused on Lena Olin as an evil mobster—gets mixed into the brew of producer Hilary Henkin's script. more...