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  • Obvious Child
  • Obvious Child (R)

    Spoiler alert: This flippant New York comedy ends with a trip to the local abortion clinic that's presented with no more gravity or introspection than a dentist's appointment, and what begins as a charming romantic comedy turns into a political statement almost in spite of itself. more...
  • Of Gods and Men (R)

    No one knows for sure what happened to the seven French monks who were kidnapped during the Algerian civil war and found dead in May 1996. more...
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  • Office Space (R)

    When something goes wrong during a hypnotherapy session, Peter (Ron Livingston) is reborn. more...
  • Oldboy (R)

    A businessman in Seoul (Min-sik Choi) passes out after a drunken revel and wakes up in a private prison cell, where he spends the next 15 years wondering who incarcerated him and why. more...
  • On the Road (R)

    Jack Kerouac's novel of postwar alienation has finally been wrestled onto the screen, with a raft of stars, an indie-lavish $25 million budget, and locations in New Orleans, Mexico, and Argentina. more...
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  • The One I Love
  • The One I Love (R)

    A young couple (Mark Duplass, Elisabeth Moss) hope to salvage their troubled marriage with a weekend getaway at a house out in the country, only to find the adjoining cottage occupied by duplicates of themselves. more...
  • Only God Forgives (R)

    After the relatively mild-mannered Hollywood release Drive (2011), Danish director Nicholas Winding Refn returns with a grisly tale of vengeance set in the Bangkok underground. more...
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  • The Only Living Boy in New York
  • The Only Living Boy in New York (R)

    A whip-smart college grad in Manhattan (Callum Turner) discovers that his father (Pierce Brosnan) is cheating on his mentally ill mother (Cynthia Nixon) with a younger woman (Kate Beckinsale); the son trails and eventually confronts the mistress, but she turns the tables by calling out his own sexual attraction to her. more...
  • Only Lovers Left Alive (R)

    Jim Jarmusch's poetic, highly personal take on the vampire genre uses it to elegize various things that are dead or dying in the early 21st century—analog recording, downtown Detroit, and the European Romantic tradition, to name a few. more...