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  • Hairspray (PG)

    John Waters's 1988 musical comedy set in 1962 Baltimore represented a good many firsts for the celebrated underground “bad taste” writer-director-producer: his biggest budget, his first period foray, his first PG-rated movie, and his first real brush with politics—the issue of integrating a local TV dance show in Baltimore during the height of the civil rights movement. more...
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  • Harry Potter and the Sorcerer's Stone (PG)

    I hear the J.K. Rowling books are great, and on the basis of this 2001 movie I'm ready to believe it; the fantasy of empowerment whereby the Cinderella-like hero (Daniel Radcliffe) takes a 19th-century train from the present back to the medieval Hogwarts School of Witchcraft and Wizardry is by itself worth the price of admission. more...
  • The Heartbreak Kid (PG)

    A head-on collision between director Elaine May's pathos and Bruce Jay Friedman's cruelty, this film (1972) of a likeable Jewish schmuck (Charles Grodin) and his two marriages (to Jeannie Berlin and Cybill Shepherd) shows what happens when someone's anti-Semitic fantasies come true. more...
  • Heaven Is for Real (PG)

    A young boy claims to have visited heaven during a near-death experience in this family drama directed by Randall Wallace. more...
  • Hidden Figures
  • Hidden Figures (PG)

    A distaff counterpart to The Right Stuff (1983), this exuberant, inspiring drama tells the fact-based story of three black women who strove for upward mobility—both professional and atmospheric—as NASA mathematicians during the JFK era. more...
  • High Noon (PG)

    After many years of being vastly overrated, this liberal “adult” western of 1952 may be underrated in some quarters today. more...
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  • Hocus Pocus (PG)

    Bette Midler, Kathy Najimy, and Sarah Jessica Parker play three 17th-century witches who appear in contemporary Salem, Massachusetts, in a comic fantasy directed by Kenny Ortega. more...
  • Home
  • Home (PG)

    The latest computer animation from DreamWorks continues the studio's aggressive and cynical approach to children's entertainment, pummeling viewers with mechanical-looking action sequences (which suggest video game demos), unfunny one-liners, and overly loud pop songs and sound effects. more...
  • Home 3D
  • Home 3D (PG)

    The latest computer animation from DreamWorks continues the studio's aggressive and cynical approach to children's entertainment, pummeling viewers with mechanical-looking action sequences (which suggest video game demos), unfunny one-liners, and overly loud pop songs and sound effects. more...