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  • The T.A.M.I. Show

    Teen-Age Music International, as played by the Rolling Stones, Marvin Gaye, Gerry and the Pacemakers, Chuck Berry, James Brown, the Supremes, Jan and Dean, Smokey Robinson and the Miracles, and Lesley Gore, captured live at the Santa Monica Civic Auditorium in the summer of 1964. more...
  • Tabloid (R)

    Errol Morris must have needed a break from life's misery after taking on capital punishment (Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.), the U.S. debacle in Vietnam (The Fog of War: Eleven Lessons From the Life of Robert S. MacNamara), and the torture at Abu Ghraib (Standard Operating Procedure). more...
  • Taboo

    Poetry and style aren't qualities one ordinarily associates with writer-director Nagisa Oshima, but this dreamlike tale of a beautiful and narcissistic military recruit (Ryuhei Matsuda) in 1865 training to become a samurai warrior, bewitching the men around him, is a triple-distilled example of poetic style. more...
  • Tabu

    This strikingly beautiful black-and-white feature by Miguel Gomes (Our Beloved Month of August) considers the legacies of early cinema and Portuguese colonialism in Africa, suggesting that both were rooted in false illusions of remaking the world. more...
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  • Tabu: A Story of the South Seas

    The last film of F.W. Murnau (1931, 82 min.), probably the greatest of all silent directors (he didn't live long enough to make sound films, dying in an auto accident only a few days after work on the synchronized musical score for this masterpiece was completed). more...
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  • Tae Guk Gi: The Brotherhood of War

    This epic South Korean feature by Kang Je-gyu follows two brothers through the war with the north, commemorating the people's sacrifices but also exposing the republic's abuses. more...
  • Taipei Story (NR)

    A turning point in the history of Taiwanese cinema, Edward Yang's 1985 masterpiece suggests a rough parallel with Abbas Kiarostami's Close-up in relation to Iranian cinema by virtue of featuring the other key Taiwanese filmmaker, Hou Hsiao-hsien, in a leading role, much as Mohsen Makhmalbaf is featured in Kiarostami's film. more...
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  • The Take

    Made by the couple Avi Lewis (director) and Naomi Klein (writer), this 2004 documentary chronicles how laid-off workers in Argentina took over some 200 closed factories and started them up again as leaderless co-ops, with every worker receiving the same salary. more...
  • Take My Eyes

    A harrowing drama spun from the most mundane material, this 2003 Spanish feature by Iciar Bollain follows an attractive but meek young woman (Laia Marull) as she tries to escape her violent husband (Luis Tosar). more...
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  • Take the Lead

    A Manhattan ballroom dancer (Antonio Banderas) offers to instruct inner-city high school kids, and proceeds to teach them trust, respect, teamwork, tolerance, and hope. more...
  • Take This Waltz (R)

    Sarah Polley, whose stunning drama Away From Her (2006) chronicled the separation of a husband and wife in their 60s, turns her attention to a married couple in their 20s (Seth Rogen and Michelle Williams) and the woman's wrenching love affair with their neighbor across the street (Luke Kirby). more...
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