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  • African Violet
  • African Violet

    Based on real-life events that occured in her family, Iranian director Mona Zandi Haghighi’s second feature is a sometimes comical, sometimes serious portrait of one in disarray. more...
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  • All Together Now
  • All Together Now

    On the surface, the latest feature from Brett Haley (All the Bright Places, Hearts Beat Loud), doesn’t sound like your typical Netflix coming-of-age movie. more...
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  • Antebellum
  • Antebellum

    Sharing a smidgen of DNA with Kindred, one of Hugo Award-winning science fiction author Octavia Butler’s seminal works, Antebellum very much wants to say something profound, and ultimately ends up saying, “Racism is bad and Janelle Monáe is fabulous,” both of which should be nearly universal truths. more...
  • Archive
  • Archive

    It’s the year 2038 as Archive opens, taking viewers through a snowy and serene shot on the way to a secret facility code-named “The Garden.” Situated halfway up a snow-capped mountain near Kyoto, this is where George Almore (Theo James) has spent almost three years attempting to build a “true human-equivalent android.” His work is virtually complete, except for the most sensitive phase, which poses a major problem. more...
  • The Banker
  • The Banker (R)

    Between the Trump family and Wall Street corruption, it can be hard for modern moviegoers to imagine real estate moguls and bankers as heroes in any setting. more...
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  • Beastie Boys Story
  • Beastie Boys Story

    As Beastie Boys Story opens in a live theater setting it begs the question of whether we’re in for little more than a hip-hop TED Talk, but it’s soon clear that the forum is more suitable for the group to tell their tale than the standard talking-head-filled music doc. more...