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  • Happy Death Day 2U
  • Happy Death Day 2U (PG-13)

    One of the only horror films I’d describe as cute, the 2017 Blumhouse hit Happy Death Day was a slight but engaging riff on Groundhog Day, following a college student doomed to relive the day of her murder until she figures out the identity of her masked killer. more...
  • Halloween
  • Halloween (R)

    The 2018 version of Halloween asks some interesting questions, mostly about why we think we can learn something from men who commit heinous acts. more...
  • The Happy Prince
  • The Happy Prince (R)

    Rupert Everett has long studied Oscar Wilde, having portrayed the Irish literary genius onstage in David Hare's The Judas Kiss, and starred in screen adaptations of Wilde's An Ideal Husband and The Importance of Being Earnest—excellent preparation for this striking biopic, which is also his ambitious debut as screenwriter-director. more...
  • High Life
  • High Life (R)

    One reason why every Claire Denis film requires multiple viewings to reveal its true nature is that the French writer-director refuses to repeat herself—her movies may share certain ideas and stylistic tendencies, but each one is elusive in its own way. more...
  • Hotel Artemis
  • Hotel Artemis (R)

    I would have sworn this futuristic crime thriller was adapted from a graphic novel—there's the same fatalistic humor, the same sense of greasy dystopia—but it was penned for the screen by Drew Pearce, a British writer who makes his directing debut after laboring on the Iron Man and Mission: Impossible franchises. more...
  • Heavy Trip
  • Heavy Trip (NR)

    Turo is the singer in a metal band that’s been practicing regularly for 12 years but has never played a gig; he’s so anxious about performing for an audience that he throws up at the mere suggestion. more...
  • Hotel by the River
  • Hotel by the River

    An aging poet, enjoying an extended stay at the title location, calls on his two grown sons to visit him after he has a premonition he’s going to die; meanwhile, another guest at the hotel receives a visit from her best friend, who promises to help her get over a recent breakup with her married lover. more...
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  • The Heiresses
  • The Heiresses

    In this crafty debut feature, Paraguayan writer-director Marcelo Martinessi looks at microlevel power dynamics to comment subtly on society at large. more...
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  • Human Flow
  • Human Flow (PG-13)

    Human Flow, in which Chinese artist and filmmaker Ai Weiwei documents ongoing refugee crises around the world, is designed to be experienced on a big screen. more...
  • The Hero
  • The Hero (R)

    Who else but Sam Elliott, the cinema's last surviving cowboy, could have pulled off this soapy tale about an elderly western star silently wrestling with a grim cancer diagnosis? more...
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