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  • Go Fish (R)

    One of the delightful things about Rose Troche's stylish, low-budget, filmed-in-Chicago black-and-white lesbian comedy is that its characters all register as real people, even when bits of the dialogue are stiff or some of the lip sync is off. more...
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  • Goat
  • Goat (R)

    Two brothers enroll in a fraternity whose hazing tests their loyalty to each other. more...
  • God Told Me To (R)

    It's a pity that Larry Cohen's talents as a director don't match his audacity as a screenwriter; this infinitely perverse 1977 thriller could have been a sleaze classic. more...
  • The Godfather, Part III (R)

    Francis Ford Coppola's tragic and worthy (if uneven) conclusion to his Godfather trilogy (1990), which he wrote in collaboration with Mario Puzo, represents a certain moral improvement over its predecessors by refusing to celebrate and condemn violence and duplicity in the same breath, or at least to the same degree. more...
  • The Godfather, Part II (R)

    Three hours and 20 minutes of Al Pacino suffering openly, Robert Duvall suffering silently, Diane Keaton suffering noisily, and (every so often) Robert De Niro suffering good-naturedly is almost too much, but Francis Ford Coppola pulls it off in grand style. more...
  • Gods and Monsters (R)

    I'm too big a fan of director James Whale (1896-1957) to take a film about him lightly, and I'm afraid this speculative 1998 movie about his last days won't do. more...
  • God's Pocket
  • God's Pocket (R)

    Pete Dexter wrote his first novel, God’s Pocket (1983), after being savagely beaten by a mob outside a bar in South Philadelphia, and he incorporated that incident into his story; you have to wonder how he might feel not only watching that ordeal reenacted onscreen but watching it in a dud like this. more...
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  • Going Places (R)

    Bertrand Blier's rampantly and repulsively misogynist first feature (the French title, Les Valseuses, translates roughly as "the testicles") stars Gerard Depardieu and Patrick Dewaere as a couple of violent lowlifes merrily abusing women—including Isabelle Huppert, Miou-Miou, and Jeanne Moreau—some of whom come back for more. more...
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  • Going the Distance (R)

    A San Francisco journalism student (Drew Barrymore) captures the heart of a commitment-phobic New York record promoter (Justin Long), who's forced to choose between her and his male pals after their affair turns long-distance. more...
  • Gold
  • Gold (R)

    No one can accuse Stephen Gaghan of blowing off his homework: as a screenwriter (Traffic) and writer-director (Syriana), he's shown an eagerness to explore complex social or political situations even as he lays out a weave of individual stories. more...
  • Gone Girl
  • Gone Girl (R)

    Gillian Flynn's twist-laden mystery novel gets a somber, respectful screen treatment from David Fincher (The Girl With the Dragon Tattoo, The Social Network), which has the unfortunate effect of diminishing the book's diabolical fun and heightening its dull misanthropy. more...
  • Good Bye, Lenin! (R)

    A true-blue socialist in East Germany (Kathrin Sass), abandoned for the West by her husband years earlier, has a heart attack and slips into a coma, leaving behind two grown children; when she regains consciousness six months later, the Berlin Wall has fallen, a fact her son (Daniel Brühl) tries to conceal from her to prevent a lethal shock to her system. more...