NOTE: Even though many businesses have begun re-opening, generally at reduced capacities and with many restrictions, music venues and theaters in particular are likely to remain closed for some time. For any in-person event, check with the venue or event organizer to confirm details or for information about any health and safety plans in place. We are maintaining a list of cancellations and making updates as events are rescheduled for later dates. We have also added new listings for online events, including online theater and performing arts events and streaming concerts and music events.
$75 for entire Steppenwolf NOW subscription series; discounts available for essential workers, teachers and students; all Classic, Black and Red Card Members receive Steppenwolf NOW for free
Steppenwolf continues its subscription online series with Isaac Gómez's comedy, codirected by Gómez and Lili-Anne Brown and featuring ensemble members Cliff Chamberlain, Audrey Francis, Sandra Marquez, and Karen Rodriguez. Set in the titular store (which bears more than a passing resemblance to Walmart, where Gómez's mother has worked for many years), the two-act radio play follows a group of beleagured employees on Christmas Eve as they try to deal with the madness of the season without losing their own sense of purpose, worth, and holiday cheer.
Albany Park Theater Project offers a streaming version of their critically lauded 2012 production about undocumented immigrants, written and performed by the teen ensemble and directed by APTP producing artistic director David Feiner.
Acclaimed Chicago playwright Ike Holter wrote and directed this audio play about our current fraught times, using monologues, songs, and vignettes, as a commission for the "Studio in Your Ears" program of Studio Theatre in Washington D.C. The cast includes former and current Chicago actors Sydney Charles, Kirsten Fitzgerald, Tony Santiago, Gabriel Ruiz, and Behzad Dabu.
Berwyn's 16th Street Theater offers a free encore presentation of this audio play, written by Lisa Langford and directed by Lanise Antoine Shelley. Langford's dark comedy involves two contemporary couples (one white, one Black) whose friendship is threatened when it's revealed that the white couple has Black robot servants—relics of an actual Westinghouse project in the 1930s, which created "“mechanical slaves," one of whom was in fact called "Rastus." Langford adapted her stage play for 16th Street, and her story also weaves in time travel and the theme of epigenetics, or the theory that generational trauma such as slavery leaves a genetic imprint. Illustrations from Roy Thomas add to the listening experience. Reader critic Kerry Reid called the production "a fitting coda to a year marked by heightened attention to racial justice and institutionalized white supremacy."
As a gift to the community during the COVID-19 pandemic, Albany Park Theater Project offers a free streaming Vimeo version of this show, first created in 2010 and revived in 2015 at the Goodman about immigrant communities, food, and the politics surrounding those topics. Feast was created by the APTP youth ensemble and directed by artistic director David Feiner.
Free Street Theater offers a free streaming version of their 2019 show about the politics of water, pollution, and corporate theft of resources. Reader critic KT Hawbaker wrote of that production "Devised over the course of ten months by Free Street's youth ensemble, students aged 14-19, Parched is driven by vignettes drawn from interviews with researchers, activists, and community members. In that respect, it's a combo of journalism and performance, resulting in passionate storytelling that feels informed and brave."
Otherworld Theatre offers a show designed for digital performance, written by Cameron McNary and directed by James Martineau. The story follows a Dungeons and Dragons master, James Francis, who finds his life turned topsy-turvy when one of his friends enlists in the military and his romantic relationship going nowhere. The show is free via Otherworld's YouTube channel from July 31 to August 14, and then afterward on a paid basis through their Patreon. Recommended for ages 14+.
The Neo-Futurists take their signature show, featuring 30 plays in 60 minutes, online during the COVID-19 crisis. The Neos offer five membership levels ranging from $3 ("Elbow Bump"), which comes with a link to a website where you can set your own timer for 60 minutes and watch all 30 plays, to $100 ("An Extended, Almost Uncomfortable Hug"), which brings a full array of perks including a customized play on a subject of your choosing. The menu includes older archival plays as well as new ones that are being created in quarantine by the ensemble.
Yippee Productions LLC first presented their annual live musical parody of the 1988 Bruce Willis Christmastime action-adventure flick in 2014 at the now-defunct MCL Chicago comedy theater. Created by Michael Shepherd Jordan, who cowrote the book and score with Alex Garday and Stephanie McCullough, the show returns in an archived streaming presentation from the 2018-19 production at the Den. Tiffani Moore Swalley directed, with filming and editing by Sam Donald Bowers. Reader critic Albert Williams praised the cast of that production for their "improvisational spontaneity and seemingly endless energy."
MPAACT's "Podcast Play" series offers audio versions of some of their favorite past productions. In this piece, written and directed by Shepsu Aakhu, a young Black activist's politically motivated graffiti campaign sets him on a collision course with the police, leading to a controversy that engulfs his city and the country. In his review of the 2016 production, Reader critic Zac Thompson wrote, "Aakhu has political points to make, but the considerable power of the play stems from the anger and heartbreak of the characters."
Prop Thtr presents a free streaming version of this production from fall of 2019, presented then under the title I Am Going to Die Alone and I Am Not Afraid. Devised by the ensemble and directed by Anna Gelman, with music by Alec Phan, the play uses the Holocaust and its legacy as a lens for exploring bravery and tenacity in the face of violence and oppression. Reader critic Dmitry Samarov wrote "In a time when so many societal forces are hell-bent on dividing us along tribal lines, this powerful piece of theater shows how sharing the tribulations of one people must give all people pause."
Houston's Catastrophic Theatre has had a long relationship with Chicago playwright and Theater Oobleck cofounder Mickle Maher. During the COVID-19 shutdown, they are sharing some past productions of his work through their YouTube channel. They kicked off with The Hunchback Variations, and now add their 2013 production of this play, originally staged by Oobleck in Chicago in 2011. Two William Blake scholars and longtime lovers, Ellen and Bernard, deliver lectures on the poet's Songs of Innocence and Songs of Experience and struggle with the demand by their dean that they apologize for having public sex on the quad.
MPAACT's "Podcast Play" series offers an audio play by Shepsu Aakhu, directed by Andrea J. Dymond, originally produced by the company in 2018. Two Black Chicago cops deal with the aftermath of the release of the video of Laquan McDonald's shooting as they patrol a patch of South Shore dubbed "Terror Town." Reader critic Justin Hayford wrote of the original production, "the script's intellectual rigor and visceral impact are unmistakable."
Hell in a Handbag offers up a free YouTube stream of their 2012 musical, a satire of child beauty queen pageants created by artistic director David Cerda and Scott Lamberty that former Reader critic Zac Thompson called "biting" and "hysterical." The show was chosen by the members of the company as one of their favorites and is presented free as a gift to the community during the COVID-19 shutdown, though donations to Hell in a Handbag are of course welcome.
Otherworld Theatre offers a free streaming version of last spring's production of a play by Bella Poynton, directed by Tiffany Keane Schaefer, that retells the story of the legendary gorgon as a critique of rape culture, with Medusa caught in a love triangle between Athena and Poseidon. Reader critic Josh Flanders wrote "The god-human relationship here is a metaphor for celebrity idolatry and the lack of consequence so many with power have maintained, as well as the dangers of living for others versus ourselves."
Chicago Shakespeare presents Scottish illusionist-mentalist Scott Silven's show in a ticketed streaming presentation as part of their WorldStage series. Each performance is limited to 30 audience members, who go on an interactive "a virtual journey" from their home to Silven's rural Scottish setting. "To experience the show, each ticket holder must have their own iPad, desktop, or laptop computer with stable internet connection, a webcam, microphone, and headphones."
Links Hall presents a piece by director-theatermaker Thadddeus Phillips, livestreamed nightly from a small village outside Bogotá, Colombia. Audiences (limited to 21 nightly) visit the "rooms" in the motel via a specially designed miniature camera, which captures weird and whimsical recreations of objects such as the Mojave phone booth, a miniature Titanic, and a copy of the Voyager golden record.
About Face Theatre presents a streaming festival of new works, conceived and directed by associate artistic director Mikael Burke. The pieces all highlight "the intersection of queerness and Blackness in all its beauty and glory," and were created in association with Rebuild Foundation, drawing on Rebuild's collection of African American art and cultural artifacts. The lineup includes: Black Woman on Purpose by Michael Turrentine, in which a weekly Zoom call between three generations of Black women becomes a coming-out occasion: Frankie & Labi Saved Us by Robert Cornelius and Paul Oakley Stovall, about an artist suffering PTSD in the pandemic seeking help from a Black male therapist; an introduction to the upcoming feature-length documentary Do Black Lives Matter? by Ben F. Locke; john 11:35 [fo(r) all de lazurus(is)], by avrey r young, a 3-part "sermon of service addressing the erasure of varied blk bodies (specifically trans-bodies) in the age of #BLKLIVESMATTER"; Pangea by Dionne Addai, a piece utilizing poetry, music, and movement to examine the history and legacy of colonization; See Us as We Are by Vic Wynter, which uses the story Chicago house pioneer Frankie Knuckles to examine resistance to erasure of Black queer narratives; LITANY | PT. IV | EBONY by Jenn Freeman, which celebrates Ebony magazine; OM Mission by ShaZah (Shanta Nurullah and Zahra Baker), which explores Black lesbians from the Harlem Renaissance to present-day Chicago; and What We See by Kirsten Baity, Keyonna Jackson, and Cori Wash, "a series of short pieces exploring and exposing the trials, tribulations, and triumphs of growing up Black and queer in the USA."