A lot of this new, Broadway-bound musical comes across as pastiche. There's a parody of the slo-mo fighting sequences from
The Matrix, some visual puns on the Harry Potter movies, and a bit that struck me as a probable homage to the scene in
Bye Bye Birdie where a woman tries to seduce an entire Shriners chapter. Andrew Lippa's witty, strong score has an old-school feel to it, as if he were trying to channel the spirits of musicals from before the Sondheim era. Most of all, of course, this
Addams Family references
Addams Familys past. Uncle Fester falls in love here, as he did in the 1993 movie
Addams Family Values, though he picks a much better object for his affections this time: the moon. And the cast does the finger-popping from the TV show theme, sans lyrics, as a way to pay tribute without getting slavish about it. But the best thing the show picks up from its forebears--including Charles Addams's original
New Yorker cartoons--is a great and humorous grace. Everything is done lightly, with a wink backed up by loads of craft, as when Kevin Chamberlin's charming Fester levitates and cavorts among the stars. Nathan Lane as Gomez personifies the general classiness of the thing: I don't think I've ever seen a human being look so absolutely at home on a stage.
— Tony Adler