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Monday, October 1, 2018

In Assassination Nation, as in life, female power can instill fear when it poses a threat to the patriarchy

Posted By on 10.01.18 at 06:00 AM

assassination_nation.jpg

Is there really such a thing as privacy anymore? This question is one of many asked by Sam Levinson in his second feature, Assassination Nation. But neither Levinson nor the film’s characters let you come out of the theater with an easy answer—that would miss the point entirely. Instead, Assassination Nation serves as a dizzying, aggressive, and controversial commentary on how desensitized we’ve become to violence in a world that won’t stop buzzing.

Assassination Nation follows high school senior Lily Coleman (Odessa Young) and her best friends Bex (Hari Nef), Em (Abra), and Sarah (Suki Waterhouse) as they deal with the aftermath of a leak of personal texts, emails and photos belonging to half the population of their small town.

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Friday, September 28, 2018

Lala Lala and more of the best things to do in Chicago this weekend

Posted By on 09.28.18 at 06:36 PM

Lala Lala - ALEXA VISCIUS
  • Alexa Viscius
  • Lala Lala

There are plenty of shows, films, and concerts happening this week. Here's some of what we recommend:

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Monday, September 24, 2018

Ecstasy on film: Nathaniel Dorsky discusses The Arboretum Cycle, his latest work of devotional cinema, which he'd prefer you watch alone

Posted By on 09.24.18 at 06:00 AM

Nathaniel Dorsky shooting The Arboretum Cycle - DANIEL BOGDANIC
  • Daniel Bogdanic
  • Nathaniel Dorsky shooting The Arboretum Cycle

This Friday at 7 PM, Northwestern University’s Block Cinema will host one of the major cinematic events of the year with the local premiere of The Arboretum Cycle (2017), a collection of seven interconnected short works by veteran avant-garde filmmaker Nathaniel Dorsky. One of the country's most important living film artists, Dorsky has been making meditative, generally rapturous movies since the early 1960s. He has described his practice as "devotional cinema" (he also wrote a book with that title in 2003), referring to the potential of movies to engender spiritual experiences. The Arboretum Cycle is doubtless one such experience. Shot in the San Francisco Arboretum over the course of a year, the work consists of silent shots of plant life, skies, and other natural phenomena. Dorsky's compositions are consistently inspired; eschewing wide shots, he forces viewers to lose themselves in minutiae. Last week I telephoned the filmmaker (who will attend Friday’s screening) to discuss the cycle. Our far-ranging conversation came to touch upon spirituality, the ethics of editing, and what it’s like to be a plant.

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Friday, September 21, 2018

Reeling Film Festival, 312 Block Party, and more to do in Chicago this weekend

Posted By on 09.21.18 at 12:30 PM

Jean-Pierre “Jupiter” Bokondji and the band Okwess, playing at the World Music Festival this weekend - MICKY CLEMENT
  • Micky Clement
  • Jean-Pierre “Jupiter” Bokondji and the band Okwess, playing at the World Music Festival this weekend

There are plenty of shows, films, and concerts happening this weekend. Here's some of what we recommend:

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Monday, September 17, 2018

Raya Martin discusses Filipino cinema and his latest film, the crime drama Smaller and Smaller Circles

Posted By on 09.17.18 at 06:00 AM

Smaller and Smaller Circles
  • Smaller and Smaller Circles
One of the more welcome film series in town, Asian Pop-Up Cinema (now in its seventh season) presents recent work from east Asia that might not have reached this city otherwise. Case in point: this Wednesday at the River East 21 at 7 PM, it will present Smaller and Smaller Circles (2017), the latest feature by Filipino director Raya Martin, with the filmmaker scheduled to appear for a postshow discussion. Martin’s work has received much attention over the past 15 years—some of his films have played at Cannes, and he’s been the subject of retrospectives in New York and Paris—but his movies rarely play in Chicago. Perhaps this screening will mark the beginning of a belated local discovery of his filmography.

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Friday, September 14, 2018

Warped for life by Fanny and Alexander

Posted By on 09.14.18 at 06:00 AM

fanny_and_alexander.jpg

My parents took me to see Ingmar Bergman's Fanny and Alexander when it was released in the United States in 1983, and it warped me forever. I don’t recall what month we went to see it, but I was either about to turn 13, or had just turned 13. I do remember that we saw it at the Nickelodeon Cinema, just off Commonwealth Avenue, located in between buildings belonging to Boston University. That movie theater is long gone, as are many other landmarks of my Boston youth, but memories from those years linger and are reactivated often. Especially when I revisit a movie or book from long ago. The Siskel Film Center's celebration of Bergman has provided a great opportunity to plunge into my own past.

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Riot Fest and more of the best things to do in Chicago this weekend

Posted By on 09.14.18 at 06:00 AM

Atmosphere plays the Radicals Stage 9/13 at 6:45 PM. - COURTESY OF ARTIST
  • courtesy of artist
  • Atmosphere plays the Radicals Stage 9/13 at 6:45 PM.

There are plenty of shows, films, and concerts happening this week. Here's some of what we recommend:

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Wednesday, September 12, 2018

‘The Lubitsch touch’ on FilmStruck this week

Posted By on 09.12.18 at 06:00 AM

Ernst Lubitsch's The Oyster Princess
  • Ernst Lubitsch's The Oyster Princess
The great German, then American, director Ernst Lubitsch is currently featured as FilmStruck's "director of the week," and they have a generous selection of his films spanning most of his career. A master of deft and witty romantic comedies, his legendary "Lubitsch touch" began in the teens and graced a wider range of films than his celebrated comedy films.

The Oyster Princess
Lubitsch's first feature-length comedy (1919), about an American millionaire trying to acquire a noble title for his daughter by marrying her off to a Prussian prince, is an unalloyed delight—a perfect rejoinder to those critics who maintain that the director only found "the Lubitsch touch" after moving to Hollywood in the 1920s. The satire is sharp, and the visual settings are sumptuous and gracefully handled. With Ossi Owalda, Harry Liedtke, and Victor Janson. 60 min. —Jonathan Rosenbaum

Sumurun
One of a series of historical epics that the young German director Lubitsch concocted for star Pola Negri—a series that eventually landed Hollywood contracts for both. This 1920 film is an adaptation of Max Reinhardt's stage production Sumurun, with Negri as an ambitious dancing girl courted by a lascivious sheikh and the pathetic hunchback (played by Lubitsch himself) who is the leader of her troupe. 75 min.
Dave Kehr

The Merry Widow
The last and finest of Lubitsch's musicals (1934), based on the Franz Lehar operetta and retooled with lyrics by Lorenz Hart. Maurice Chevalier, in his last good role, is the prince; Jeanette MacDonald, on the brink of her fateful meeting with Nelson Eddy, is the widow. MGM hired the Lubitsch-Chevalier-MacDonald team away from Paramount, and apparently went all-out on this production to show up the competition. Lubitsch brilliantly exploits Cedric Gibbons's opulent sets, but his genius is most evident in the film's final poignancy—a farewell to the genre he helped to create. Also known as The Lady Dances. 99 min. —Dave Kehr

The Shop Around the Corner
There are no art deco nightclubs, shimmering silk gowns, or slamming bedroom doors to be seen, but this 1940 film is one of Lubitsch's finest and most enduring works, a romantic comedy of dazzling range that takes place almost entirely within the four walls of a leather-goods store in prewar Budapest. James Stewart is the earnest, slightly awkward young manager; Margaret Sullavan is the new sales clerk who gets on his nerves—and neither realizes that they are partners in a passionate romance being carried out through the mails. Interwoven with subplots centered on the other members of the shop's little family, the romance proceeds through Lubitsch's brilliant deployment of point of view, allowing the audience to enter the perceptions of each individual character at exactly the right moment to develop maximum sympathy and suspense. With Frank Morgan, Joseph Schildkraut, Sara Haden, and Felix Bressart. 97 min. —Dave Kehr

Heaven Can Wait
Lubitsch's only completed film in Technicolor (1943), the greatest of his late films, offers a rosy, meditative, and often very funny view of an irrepressible ladies' man (Don Ameche in his prime) presenting his life in retrospect to the devil (Laird Cregar). Like a good deal of Lubitsch from The Merry Widow on, it's about death as well as personal style, but rarely has the subject been treated with such affection for the human condition. Samson Raphaelson's script is very close to perfection, the sumptuous period sets are a delight, and the secondary cast—Gene Tierney, Charles Coburn, Marjorie Main, Eugene Pallette, and Spring Byington—is wonderful. In many respects, this is Lubitsch's testament, full of grace, wisdom, and romance. 112 min. —Jonathan Rosenbaum

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Monday, September 10, 2018

Sketch show Black Boy Joy and more of the best things to do in Chicago this week

Posted By on 09.10.18 at 06:00 AM

Black Boy Joy - TEEN CUDI
  • Teen Cudi
  • Black Boy Joy

There are plenty of shows, films, and concerts happening this week. Here's some of what we recommend:

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Friday, September 7, 2018

The World Music Festival and more of the best things to do in Chicago this weekend

Posted By on 09.07.18 at 12:20 PM

Argentine singer-songwriter Juana Molina plays a free show at the Promontory 9/8. - COURTESY THE ARTIST
  • courtesy the artist
  • Argentine singer-songwriter Juana Molina plays a free show at the Promontory 9/8.

There are plenty of shows, films, and concerts happening this week. Here's some of what we recommend:

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Agenda Teaser

Performing Arts
Spirits to Enforce Berry Memorial United Methodist Church
November 08
Performing Arts
The Better Half Steppenwolf Theatre, 1700 Theatre
November 08

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