90s Nostalgia
Thursday, March 15, 2018
90s Nostalgia Archive Dive Arts Television Looking back on a more innocent time when we could ask, ‘Are the fights on Jerry Springer staged?’
Posted By Aimee Levitt on 03.15.18 at 06:00 AM
The Reader's archive is vast and varied, going back to 1971. Every day in Archive Dive, we'll dig through and bring up some finds.
It's amazing to think about it, but The Jerry Springer Show is still on the air. It's moved to Stamford, Connecticut, and it has a website now (and also a podcast), but if you click on the link that asks, "Are you ready to turn up and get lit and confront somebody on the Jerry Springer Show?," you will be redirected to an online form requesting your contact information. You can even still see it—for free! In this crazy world, it's comforting that things never change. Even Jerry looks exactly the same as he did back in 1994.
The difference between now and the'90s is that in 1999, the Reader could still run a headline that asked, in all honest credulity, "Are the fights on Jerry Springer staged?" What followed, however, was not a simple "DUH" but an entertaining account by a self-described "blue-collar rogue-meets-writer" named Salem of the time she flew from Seattle to Chicago with two cohorts to fight, er, talk about what had happened since she met "a fine redhead" six months prior.
Thursday, February 1, 2018
90s Nostalgia Archive Dive Arts Television Reader critic uncovers the secret purpose of Teletubbies
Posted By Aimee Levitt on 02.01.18 at 09:00 AM
The Reader's archive is vast and varied, going back to 1971. Every day in Archive Dive, we'll dig through and bring up some finds.
When you think of Lee Sandlin and the Reader, the first thing you probably think of is "Losing the War," his epic two-part essay ostensibly about World War II but really, like the best essays, about many other things.
Sandlin wrote more for the Reader, though, much, much more. And not all of it was long, serious essays. He reviewed classical music and television, too. For those reviews, he applied the same rigor to his research and writing as he did to his historical essays. Even when the subject was Teletubbies.
Monday, September 18, 2017
90s Nostalgia Music Riot Fest Tim Kinsella and Cap'n Jazz harnessed the raw power of their 90s selves at Riot Fest
Posted By Ryan Smith on 09.18.17 at 03:41 PM
Near the end of Cap'n Jazz's riotous Riot Fest performance, frontman Tim Kinsella snuck a glance at the massive video board above the stage to glimpse a supersized black-and-white version of himself. Covered in sweat, his shirt half ripped off, he was holding a tambourine aloft in one hand and a microphone in the other while crowd surfing. "I need to find a real job," he cracked. Then he offered a dismissive rebuttal: "Pfft."
Thursday, September 8, 2016
90s Nostalgia History Music Dave Hofer preserves suburban punk’s past with DuPage County Hardcore
Posted By Leor Galil on 09.08.16 at 09:00 AM
In April 2013, author Dave Hofer (who's also a buyer for Reckless Records and played in the Chicago Thrash Ensemble) launched a Bandcamp page called DuPage County Hardcore that's dedicated to archiving bygone punk bands from his old stomping grounds. Since then he's dug up and uploaded for posterity a growing trove of old cassette demos, seven-inches, and CDs from barely remembered grind bands, long-forgotten punk crews, and even some groups you've probably heard of—among them Spitalfield, the pop-punk band fronted by Downwrite cofounder Mark Rose. Everything at DuPage County Hardcore is unavailable elsewhere (as best as Hofer can tell) and free to download. The collection demonstrates the fascinatingly broad range of the sounds that burbled up from a specific section of Chicago's suburban punk scene in the mid-90s. I was quite taken by goofy, swashbuckling accordion-and-drums duo Herc., who hardly fit with the pop punk and aggressive hardcore that dominate the page.
A few weeks ago, after a quiet summer, Hofer resumed uploading material to the Bandcamp page at a steady clip—including a 1998 demo by pop-punk crossover stars the Plain White T's. I reached out to him to find out more about the DuPage County Hardcore project.
A few weeks ago, after a quiet summer, Hofer resumed uploading material to the Bandcamp page at a steady clip—including a 1998 demo by pop-punk crossover stars the Plain White T's. I reached out to him to find out more about the DuPage County Hardcore project.
Monday, February 8, 2016
Arts 90s Nostalgia Paranormal Small Screen The X-Files's obsession with UFOs seems quaint in the era of the super PAC
Posted By Ryan Smith on 02.08.16 at 06:20 PM
An old, recognizable poster is visible on the wall of Fox Mulder's office during the new X-Files miniseries. It shows a blurry image of what appears to be a flying saucer hovering over a forest. Printed in bold type below the shot: i want to believe. It serves as a testament to Mulder's earnest faith in extraterrestrial or paranormal beings and a deep skepticism towards a heavy-handed federal government that suppresses and obfuscates their existence.
That the iconic image still hangs in the same spot since The X-Files pilot aired way back in 1993 is a little wink to longtime fans. But in 2016, it's also a cringe-inducing, laughably outdated relic—both because of events that have occurred over the last 23 years in Chris Carter's beloved sci-fi universe and, more importantly, what's transpired in our own world.
Tuesday, February 2, 2016
Music 90s Nostalgia The Smashing Pumpkins and Liz Phair hit the road together, 22 years after an infamous takedown in the Reader
Posted By Philip Montoro on 02.02.16 at 11:10 AM
In early 1997, when I'd been at the Reader just a few months, I learned about a piece of workplace history already treasured by the other music nerds on staff: that time in '94 when Steve Albini wrote in to tear Reader music critic Bill Wyman a new orifice because Wyman had dismissed the "rear guard from the underground" as "bullshit" in his year-end column while praising the Smashing Pumpkins, Liz Phair, and Urge Overkill.
Albini's magisterially cranky letter ran in the issue of January 28, 1994, headlined "Three Pandering Sluts and Their Music-Press Stooge." (The headline was ours, but the language was all his—it ought to give you a pretty good idea of his tone throughout.) Replies flooded in over the next two months, some pro and some con, including a letter from Weasel Walter of the Flying Luttenbachers so sarcastic that not even light could escape. One person who didn't respond, though, was Wyman himself—at least not before the end of March (that's as far as I searched in our bound volumes of back issues).
Thursday, October 29, 2015
12 O'Clock Track 90s Nostalgia Music Things I Love LGBTQ+ Remembering God Is My Co-Pilot: 'We're here / We're queer / We're gonna fuck your children!'
Posted By Philip Montoro on 10.29.15 at 12:00 PM
If you've read my recent posts on Gravitar and Star Pimp, you already know I was a college-radio weenie in the early 90s. Back then I was only dimly aware of the queer activism happening in punk, hardcore, and other forms of underground and avant-garde rock. I mean, I knew that Pansy Division, Team Dresch, Tribe 8, and Fifth Column existed, but did I understand that they were part of a deep-rooted movement? I doubt it. I was a mostly straight kid, still getting educated about all sorts of shit, and the Internet wasn't around to help me connect the dots.
Today, of course, I work in music journalism. It's part of my job to be aware of stuff. But to my ears, the current conversation around queer punk is missing something: Almost nobody seems to remember God Is My Co-Pilot.
Friday, July 31, 2015
12 O'Clock Track 90s Nostalgia Music Alt-rock revivalists Post Child brings more 90s nostalgia to town this weekend
Posted By Luca Cimarusti on 07.31.15 at 12:00 PM
If you survive Lollapalooza this weekend, there's a whole other dose of 90s nostalgia to take in on Sunday night. Local four-piece Post Child, who deliver a massive blast of throwback alt-rock, play in the basement of the Double Door at 8 PM. Today's 12 O'Clock Track is their new single, "Brain in Two," which showcases their knack for radio-ready, 90s slacker-rock perfection. The catchy jam brims with slick guitar leads and bummed-out, hypermelodic hooks; the group tip their hats to hit-machine monsters Weezer. No band in town right now sounds anything like Post Child, and that's part of what makes them so great. Check out "Brain in Two" below.
Friday, June 12, 2015
Whoa 90s Nostalgia Music Check out our photos of the Pixies' Metro show
Posted By Leor Galil on 06.12.15 at 01:30 PM
- Bobby Talamine
- The Pixies
Wednesday, June 3, 2015
90s Nostalgia Music A wide-ranging interview with Neil Michael Hagerty and Jennifer Herrema of Royal Trux
Posted By John Dugan on 06.03.15 at 02:30 PM
- Patsy Desmond
- Jennifer Herrema and Neil Michael Hagerty
Despite its best efforts to be out of step with its era, Royal Trux couldn't help but define it. After establishing a reputation for chaos and art-damaged, deconstructed rock, the duo did a mid-90s about-face and signed with Virgin for the David Briggs-produced, Stones-y Thank You (1995). Fresh from a split with the major label after the visually repulsive/aurally adventurous Sweet Sixteen (1997), the duo moved to Virginia and settled into a period of prolific experimentation, releasing a loose trilogy with Accelerator, Veterans of Disorder, and Pound for Pound on Drag City between 1998 and 2000. Drag City has been reissuing Trux records regularly, and the cycle was completed with Pound for Pound on October 21, 2014. The album is ripe for reevaluation.
