Friday, March 21, 2014
Opening / Film Muppets, nymphos, air sex, and the rest of this week's screenings
Posted By J.R. Jones on 03.21.14 at 12:34 PM
Sign up for our newsletters Subscribe
In this week's long review Ben Sachs looks at Le Week-end, the latest from British screenwriter Hanif Kureishi (My Beautiful Laundrette, Sammy and Rosie Get Laid); Jim Broadbent and Lindsay Duncan star as a long-married couple hoping to salvage their relationship with a trip to Paris. And I review Divergent, the big-screen adaptation of the best-selling young-adult sci-fi novel.
Check out the latest issue for new reviews of: Bad Words, with Jason Bateman as a 40-year-old who enters a national spelling bee; Class Enemy, a Slovenian feature about high schoolers who blame their German teacher for the suicide of a classmate; just plain Enemy, starring Jake Gyllenhaal as a history teacher who meets his doppelganger; Exhibition, with former Slits guitarist Viv Albertine and conceptual artist Liam Gillick as a married couple more in love with their London apartment than with each other; Love & Air Sex, a romantic comedy set amid the Air Sex World Championships in Austin, Texas; Muppets Most Wanted, the latest outing for Kermit, Miss Piggy, and the rest of the gang; and Nymphomaniac: Volume I, the first half of Lars von Trier's unrated, four-hour fuck fest (part two opens April 4).
Best bets for repertory: Jean-Luc Godard's Alphaville (1965), all week at Music Box in a restored print; Robert Kramer's Ice (1969), Tuesday at Gene Siskel Film Center; and Alfred Hitchcock's The Lady Vanishes (1938), with matinees Saturday and Sunday at Music Box.
And don't forget these special events: Genealogies of the New Aesthetic, a multimedia lecture by Christiane Paul on image-making in the age of the Internet, next Thursday at Film Center; Stress/De-Stress, which combines music, readings, and projector performance, Sunday at Museum of Contemporary Art; and Logan Square Home Movie Day, a program of celluloid home movies centered on the eponymous neighborhood, Wednesday at Comfort Station.
More by J.R. Jones
-
Buzzcocks front man Pete Shelley grappled with metaphysical questions as eloquently as he wrote about physical desire
He most perfectly captured this dichotomy between the carnal and the philosophical on the 1979 B side "Why Can't I Touch It?"
- Dec 11, 2018
- More »
