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Photos by Yvette Marie Dostani
By Edward McClelland
WHEN I THINK of Milwaukee, I
think of beer, bowling, hot
ham and rolls, and Polish
barmaids. So whenever I’m in town
there’s really no reason to go anywhere
but the Holler House. It has all four.
There used to be taverns like the
Holler House all over the midwest. It’s
in a weathered two-story house, with a
sign that’s missing the e in Holler and a
hand-lettered placard informing
strangers there’s no public telephone.
Upstairs there’s a barroom with
brassieres dangling from the ceiling
fans, a sinkless chlop room—Polish for
men—and a mixed-drink board advertising
the gin buck and the red robbin.
But it’s what’s in the basement that
makes the Holler House a real
museum of life in a big-city Slavic
neighborhood. It’s a bowling alley,
two sloping lanes built of planks first
laid down in 1908, carrying balls
toward a cage where a pin boy—yes,
a pin boy—gathers up whatever the
beery bowlers can knock down.
The Holler House lanes are older
than any other certified bowling alley
in the United States. After World
War II people in south Milwaukee
started buying cars and driving to
new multiplex alleys with 24 lanes
and automatic scoring, but the
Holler House hung on, thanks to
either the stubbornness or the inertia
of its owner, Marcy Skowronski.
Marcy and her husband, Gene,
moved into the apartment behind
the bar in 1952, when she was a 26-
year-old bride. Gene has since passed
away, but 80-year-old Marcy is still
serving up drinks, even though the
years have squashed her down to
four-foot-ten and she can barely see
over the bottles on the bar.
The last time I went to the Holler
House it was a Sunday afternoon.
While the second-shift bowling
league was clattering downstairs,
Marcy and her daughter, Cathy
Stuckert, were preparing dinner for
patrons in the kitchen between the
bar and the apartment. During her
break Marcy told me the bar’s history.
“I gotta sit down ’cause I got a
hangover,” she said, plopping down
on a chair next to an out-of-tune
piano. “Last night was a big night. It
was couples’ league.”
The Holler House was founded by
Marcy’s father-in-law, “Iron Mike”
Skowronski, a short but powerful man
whose handshake, Marcy says, could
squeeze 30-year-old men into submission.
He called the tavern
Skowronski’s, and after his son and
daughter-in-law took over it became
Gene and Marcy’s—a green neon sign
with that name still lights up the front
window. But it was dubbed the Holler
House by a patron who couldn’t
believe the racket inside.
“There was a man came in one
Monday,” Marcy said. “He said,
‘How’d you like to get bombed with
me? My wife’s in California.’ He
brought his wife in the next week and
there was a lot of people, there was a
political convention on TV. They were
arguing politics, somebody was
playing the piano. The next week, he
said to his wife, ‘Where do you want
to go get drinks before dinner?’ She
said, ‘Take me to that Holler House!’
She was German, so she spoke
broken English. After that, that’s
what everyone started calling it.”
Marcy has had more than one
chance to leave Milwaukee and the
Holler House behind. After Gene
died she bought a condo in Arizona
but decided it wasn’t her speed. “I
went to this hospital there to do some
volunteer work, and the guy in charge
asks me what I want to do,” she says.
“I told him I wanted to read porno to
blind people. He just rolled off in his
wheelchair. I couldn’t take it. That
place is for old people.” A man from
Ohio courted her, “but he lived in the
boonies, with the trees and the squirrels.
I didn’t want none of that.”
She’s made one concession only to
age. “I can’t drink beer,” she said. “I
drink wine. Years ago, I drank gin
rickeys. I used to carry my own lime,
’cause not all the bars had fresh
limes. I’d carry a lime and a knife.”
“I tried to order a gin rickey at
Gibsons Steakhouse,” I told her. “The
waiter said, ‘No one’s asked for that
in 20 years!’”
“Oh, for God’s sake!” she said. “It’s
nothing but gin and lime and seltzer!”
Marcy slid off her chair and
shouted at her son-in-law, Todd
Stuckert, who was tending bar.
“Todd! Make this guy a gin rickey!”
I carried the cocktail down to the
basement and watched the bowling
league. World-class kegler Earl
Anthony has bowled at the Holler
House, but he didn’t come to pump
up his average. There hasn’t been a
perfect game here since FDR’s first
term, and weekend bowlers can
expect to lose 20 pins off their typical
score. The planks are real wood, not
synthetic, and they’re oiled with a
spray can, not a computerized roller.
Bowlers are convinced the lanes slope
inward, though Marcy says it’s just an
illusion. It’s also hard to get a proper
pair of shoes from the Florsheim disaster
area under the stairs. The stock
consists of castoffs from dead bowlers
and moving-sale finds.
“A common expression here is ‘Only
at the Holler House,’” said bowler
Tom Haefke. “You’ll have one or two
pins here where every other place has
a strike. I’ve seen a lot of 200 bowlers
on their hands and knees here. It’s real—nothing sterile. The other day,
the pin boy had to wipe up water
because the roof was leaking.”
To see the pin boy in action I
walked along the rubber mats in the
gutters, then slithered under the pinsetting
machine on my belly. Twelve-year-
old Alex Frank was jumping
from lane to lane, scooping up fallen
pins, restocking the racks, yanking a
wire to lower them into place, and
rolling the balls back on a wooden
track. He gets paid 30 dollars a day,
plus tips. The balls were flying down
the lane at 12 miles an hour, slamming
against a leather pad behind the
pins, but Alex said he wasn’t afraid,
even though he was once nailed in the
ankle with a flying pin. In his frantic
dance he sometimes lost track of
whether a bowler was on his first or
second ball, but when he made a mistake
he always heard about it from the
other end of the basement. “They tell
me which pin to put down,” Alex said.
“I like it when it’s a strike—it’s easy to
figure out where it all goes.”
From the pin boy’s nook the six
bowlers were little more than dim figures
in a haze of cigarette smoke. Two
of them were Marcy’s grandsons. Kris
Stuckert lives above the bar in an
apartment once occupied by his older
brother, Mike. It’s a rite of passage in
their family. “It was like my college,
even though I didn’t go to college,”
said Mike, who has since married and
started a career as a carpenter. “I actually
ran the place for about a year and
a half. You could hear the bar from
upstairs, but you get used to it. It’s like
traffic or living near an airport.”
And what was going to happen
when his grandmother could no
longer run the Holler House?
“That’s a good question,” Mike
said. “Pretty much see if anyone steps
up, or if it’s a team effort.”
That day seemed a long way away. By four o’clock Marcy was serving
dinner for 25 upstairs, a Thanksgiving
buffet of turkey, mashed potatoes,
creamed corn, stuffing, and
cranberries—even though this was
the first Sunday in April. After
everyone had sopped up the last
puddle of gravy, Marcy and Cathy
reminisced about the celebrities
who’ve visited Holler House.
“Joe Walsh from the Eagles came
here,” Cathy said proudly. “Lazer 103,
the rock station in town, was doing a
party for him here. I called my mom
and I said, ‘Who’s down there?’ She
said, ‘Some scuzzy guy in a pink limousine.’
‘What’s his name?’ ‘Joe
Walsh.’ ‘Joe Walsh from the Eagles?’
‘I don’t know.’ I took off from work to
come see him.”
Cathy turned to her mother and
asked, “Who was the porn star that
was here?”
“Traci Lords.”
“Traci Lords is a nice girl.”
“Oh yeah,” Marcy said. The actress
visited during the filming of the
indie comedy Chump Change. “Very
pretty girl. She started when she was
15. If I’d known then what I know
now, I’da become a porn queen. I
wouldn’t have become a slut, but a,
what do you call it?”
“Woman of the world?” I suggested.
“Yes. That’s it.”
And then there was Frank Deford,
the dapper Sports Illustrated writer
who stopped by the Holler House on a
nationwide bowling alley tour. He interviewed
Marcy for an hour, then used
the quotes she gave him during two
hours of drinking afterward. But she
wasn’t bitter about that old reporter’s
trick. She still keeps a softening copy
of the magazine behind the bar.
“It was the Super Bowl issue,” she
said. “John Elway was on the cover. I
got more ink than he did, and I don’t
even play football.” 
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