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 Past Columns
Guardianlike?If staffers get their way, a redesigned Trib might end up with a European feel.
By Michael Miner July 10, 2008
By mid-September, a source at the Chicago Tribune tells me, that paper “will look and feel vastly different.” But however much the Trib changes, it won’t be presenting its reconfigured self as the newspaper of the future. The newspaper business has pretty well conceded that its future is online, which means the print Tribune is deciding how to dress smartly for its funeral. On Tuesday the funeral felt more imminent than ever, as editors announced that some 60 editorial jobs—out of a budgeted total of about 600—would be terminated by the end of August and 20 existing vacancies wouldn’t be filled. But if death is inevitable, the Tribune—along with the other Tribune Company dailies, many of which have announced more draconian staff cuts—are determined to hold it off long enough to prepare for it. The redesign is important work. If readers and advertisers—their numbers already dwindling—recoil in dismay from a shriveled, diminished paper, the death spiral will accelerate. Something about the new Tribune will have to look like an improvement.
Seven years ago the Tribune labored for months to redesign itself to accommodate what today seems like a trifling exigency—the paper was narrowing its page by an inch to save on newsprint. Expensive design consultants were brought in and much of their advice was ignored—editors and readers alike wanted the new Tribune to look a lot like the old one. Today’s redesign is a crash project being done in-house, and nothing’s sacred. “Here’s the deal, Mike,” said the staffer I’ve traded e-mails with. “It’s not that the old guard is cautiously inching their way towards change. It’s a bunch of radio guys in an ivory tower telling us: you have to change. And you have 90 days to do it. Call me an eternal optimist, but that can be a great thing. It shakes us to the core.”
The head “radio guy” is new COO Randy Michaels, former chairman and CEO of Clear Channel Communications. On June 5 Michaels announced that the Tribune Company papers would shrink their news holes to the size of the advertising holes. (The traditional ratio is about 60-40.) Another new guy, from XM Satellite Radio, is innovation officer Lee Abrams, who in the course of a long, rambling, occasionally incoherent memo to staff last April said this:
“RE-THINKING MEANS DUMBING DOWN: Usually does. But that’s the last thing we need to do in this era. Someone told me that the editorial people are not going to like what I offer, assuming re-thinking and re-inventing means introducing cheap tricks to jack up circulation. Ah . . . not exactly. It’s really all about looking at re-formatting so quality can have some breathing room and get seen more effectively. It’s unfortunate that in media, it usually IS dumbing down that is the quick fix. But I think our future is more about what some other industries are doing, or trying to do—Smarten.”
Some 30 Tribune editorial employees have been appointed to the various committees that now meet daily to reimagine their paper. These committees take seriously the idea of giving quality some room to breathe, and they’re looking hard at Britain’s Guardian for inspiration. “If we can be anything like the Guardian,” my source wrote in an e-mail, “I’d be over the moon.”
Reading the Guardian is one of the pleasures of visiting Europe, where it’s on sale in all the big cities. It’s a paper that flatters the eye as it flatters the mind. There’s little chaff, which allows handsome display of its longish, nuanced articles. I come home imagining that I’ve been exposed to not only what Europe is doing but what it’s thinking.
Ron Reason, a Chicago-based newspaper designer who’s as curious about the next Tribune as I am, reminded me that “the outfit has to match the personality.” So what will that be? Because he wants “more of a provocative local conversation,” he’s all for the Guardian model. “I was in the UK twice last year,” he e-mailed me, “and was compelled to pick up several papers each day because of the colorful, daring, opinionated writing styles of many of the columnists. Would that go over here?”
Reason and I read the Guardian as travelers passing through who are easily impressed by big-picture reporting and stylish writing. Could a Guardian-like Tribune command the same respect among a hometown constituency with quotidian, parochial concerns? I don’t know. What’s certain is that the Tribune’s long reports are its heart and soul. If they go it won’t matter how audaciously it redecorates itself—it won’t be the Tribune.
If they stay, then what goes instead? The chaff, I suppose: old-school news stories larded with detail and striving for “balance” yet reporting nothing that a reader who cares hasn’t already found on the Web; formulaic, celebrity-driven features.
Crime stories will survive. The committees are working from a two-inch-thick study of readers’ tastes and wishes, and one thing readers want more of is crime coverage. They’re not asking for sensationalism or even length. They simply want to know how much crime there is and how close it comes to their own backyards.
In last week’s Crain’s Chicago Business, Ann Saphir noted that the Orlando Sentinel, another Tribune paper, had just finished a redesign that brought it “punchier headlines, bigger visuals and shorter stories.” A Boston-based consultant named Peter Kreisky who worked on a Tribune redesign back in 1992 told Saphir that “the trend is very much toward bigger pictures, more color, a more staccato kind of design.”
Fortunately, each of Sam Zell’s papers is being allowed to choose its own path, and the Tribune’s being overhauled by staffers open to bucking the trend. Kreisky did say, according to Crain’s, that one design option is for the Tribune “to adopt the ‘European’ size used by London’s Guardian.” That size has a name—“Berliner”—and it’s in wide use in Europe. A Berliner measures 18.5 inches long by 12.4 inches wide, making it a little wider and a lot shorter than the 22-by-12 Tribune, and according to Kreisky it has “a lower cost to produce but doesn’t have the down-market feel of a tabloid.” Perhaps because the proportions of the printed area aren’t far from those of the so-called golden rectangle, the Berliner has proved itself exceptionally hospitable to upmarket design. Unfortunately, it’s a size the Tribune’s printing presses can’t handle. The Tribune might be inspired by the Guardian design format, but it won’t adopt it.
Another inspiration, I hear, is the Guardian’s second section, G2. A smartly written mix of feature stories and cultural coverage, it’s something the Tribune could emulate at a huge savings in space and salaries by throwing out everything and everybody who doesn’t measure up. And with all the throwing out of pages and sections, this new section could actually come off the presses the day of publication, unlike today’s Tempo, which the Tribune’s overtaxed presses print a day in advance. “One good thing that might come out of all this,” my Tribune contact told me, “is that we may finally have a live entertainment section, which means breaking entertainment news on a Monday may finally show up in the Tuesday entertainment section, instead of being in the Personals space in the A section.”
That’s a transformational reform right there, even if it’s not significant enough on its own to blind readers to the collateral damage. Bottom line, my contact observed, is that “sections are getting cut and people are losing their jobs. We’ll be seeing the combination of sections. There is no word on how many people will be leaving, but the number on everybody’s lips is 100.”
“The most troubling thing about this process,” my contact added, is why no one’s “talked about how this new print product will integrate with the Web. These committees are focused solely on the paper, which I think is a futile exercise, because in order to survive we have to figure out how the two complement each other.” But at least it’s the staff making the decisions that might not matter in the long run, not “a bunch of executive-suite suits.” And even though “people are freaking out about the impending downsizing,” reinventing the Tribune is a “noble and worthy task.”
For more on the media, see Michael Miner’s blog, News Bites. Send a letter to the editor.
From the Reader blogs News Bites Michael Miner: Scott Jacobs releases "The Long Slog," his low-budget account of covering the election campaign. Wednesday at 2:58 pm
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armchair designer at 12:40 PM on 7/9/2008
To see a representation of some of The Guardian's design elements, reproductions of its most recent front pages are available here: http://digital.guardian.co.uk/
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gary dretzka at 5:01 PM on 7/9/2008
Methinks, we all need to catch up with the Internet learning curve. "Armchair designer" did us all a service by pointing out where to find examples of the Guardian (albeit, by registering first, and paying for the best stuff). Alas, Hot Type didn't provide a one-hit link (in blue) to it, even in the letter. This is what we readers needed and expect(don't know what the paper version looked like), as well as a side-by-side with current Tribune, which many of us outlanders no longer see.
One thing your Tribune source may not have put into the redesign equation is that the new look will have to accommodate syndicated columns, crosswords, horoscopes, bridge columns, comics, games etc, none of which are ad-supported and all of which are popular with readers. Wither, they?
Given a choice between a live rock review and Ask Amy (or, whatever it's called), I'd bet the review would go first. This, of course, pre-supposes that any critics will be left after the impending purge. God knows, current newsroom management has never shown much love to its critics, even in the best of times.
Small point: I've been away for a while, but most of the redesigns that occurred during my 20 years at the paper also had editorial input and impetus. Overpaid outsiders were brought in to consult and design, but they worked closely with in-house designers and top editors. The ideas then trickled down for comment and some refinements. The reason this one seems so radical -- as opposed to the huge change during Jim Squires' tenure (BLUE BANNERS!)-- is that it's the brass who are demanding it, as you point out. Also, 30 people are involved, not a half-dozen.
Either way, it's a shot in the dark. Besides adding color, the New York Times and Washington Post haven't changed their fundamental look much, and probably won't.
Readers, even of USA Today, don't buy designs. They buy content. Indeed, the single biggest driver of sales in the early days of USAT was stats ... lots of 'em ... and they were plenty gray. Sports nuts -- pioneering rotisserie-league participants, especially -- ate them up, and forced established newspapers to rethink their own sports sections.
In my feeble mind, the only question worth asking is, 'How long will subscribers continue to pay the same amount of money for less product?' If the answer is, 'Not very,' then corporate America will find other venues for their ads. The fear is that advertisers may not wait for the Internet site to get its act together before abandoning the ship entirely.
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Tim McGrath at 9:44 PM on 7/9/2008
Three syllables, starts with r, but it's ratio, Mike, not rectangle. Good point, though. The golden ratio, roughly equal to 1.61, is supposed to be aesthetically pleasing.
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Michael Miner at 1:15 AM on 7/10/2008
It's actually both. A rectangle whose dimensions satisfy that ratio is commonly called a golden rectangle.
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Alan Jacobson at 11:07 AM on 7/10/2008
It appears as if the Tribune's efforts focus on readership, but the real problem is revenue.
An equally misdirected redesign in Orlando has produced no results, as described here:
http://www.brasstacksdesign.com/orlando_sentinel_redesign.htm
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Jeff Prescott at 11:34 AM on 7/10/2008
I've actually held the new Guardian.....and the new Orlando Sentinel in my hands.
For the Sentinel, it seems the front pages of each section have larger headers, etc, but it doesn't feel new or revolutionary to me. It's not going to save that paper. The Guardian 'Berliner' format is nice and neat. It's a good, clean read. But in the UK, it competes with 9-other dailies. It's got a niche. But, I don't know how it will play in Peoria (or downtown).
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DeBartolo at 12:01 PM on 7/10/2008
hell, i'm still shaken up after they dropped the blue banner from the masthead.
but a few suggestions:
1) a full page police blotter.
2) the staff responsible for such former sections as 'woman news' & 'kid news' not be allowed in the building ever again. Unless of course they end up buying a condo.
3) a little T & A on page 3 wouldn't hurt (but that just might be the romantic in me).
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DeBartolo at 12:27 PM on 7/10/2008
on a more serious note -- i don't think the dwindling few who are still buying a daily paper do so for 'information' as dretzka suggests.
it may have started out that way, but i think newspaper buying is a habit, pure & simple.
as those who are in the habit die off, so do the circulation numbers.
the only possible positive outcome of a vastly different "look and feel" would be to create a fresh generation of habitual trib buyers.
but as minor points out, given what's going on online, that doesn't seem likely.
so the question is, whose funeral comes first -- the chicago tribune's or its last habitual reader?
that said, i can't help but love the fact they're going down swinging.
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Edward at 12:57 PM on 7/10/2008
That would be cool if the Trib re-designed their papper to be more like the Guardian. I go to their web site evryday. The paper itself has a great simple 'clean' design. Woo-Hoo!
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Jeff Jarvis at 1:04 PM on 7/10/2008
You're right to ask what the Guardian is. It's more than a design. It's a voice and an attitude (their mission: to be the world's leading liberal voice).
Can staff trained the American way pull off a Midwest Guardian? I don't mean to insult anyone but I think that could be hard. (And - disclosure - I long ago worked for the Tribune and now write for the Guardian.) And would the town take to it: less of a rat-a-tat-tat of facts and quotes and more of a parlor conversation?
But it's a cool goal to contemplate. The NY Times and Washington Post are also great candidates for this model - better, perhaps, since they're both essentially national papers, like the Guardian.
Maybe the Tribune could start on one day: What if Sunday or Saturday or Monday (different reasons for each) became G Day, in which they shove all breaking news (including crime) and rat-a-tat-stuff online and think outloud in elegant print? What if?
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gary dretzka at 1:13 PM on 7/10/2008
Some habits die harder than others. It probably was more difficult to quit when you actually had to look the poor newspaper carrier in the face and tell him/her their services were no longer needed. Today, we go to a website and stop deliveries for a dozen different reasons. It's become a lot easier to go cold turkey on newspapers.
It would be interesting to learn how many subscribers fail to return after brief postponements.On the other hand, in L.A., a yearly subscription is about $100, which means you can make up the difference in a few weeks with coupons redeemed at 2X value at the local supermarket. When the coupon inserts disappear on Sundays, even more habitual subscribers will leave.
One thing I hope they're considering at paper is making the syndicated comics, columns and games pay their own freight, instead of existing as loss-leaders. For instance, who would object to having Wal-mart subsidize the funny pages, or "This Ask Amy is brought to you by the makers of Prozac ..."
When Camel tried to subsidize the sports-agate pages, it was seen as an attempt to "brand" the section. Those were purer days.
On a related subject, people who care about the Tribune might want to check out, http://www.pr-inside.com/andy-martin-launches-a-campaign-to-r692094.htm. The employee/owners who already have sacrificed so much now stand to lose even more to Zell et al. The author isn't involved in newspaper industry, but has a pretty good fix on the situation inside the Tower. He argues that what's happening to the company borders on the criminal.
It might not have made news in Chicago, but California voters recently rejected a Zell-backed proposition that would have eliminated rent controls and make eminent-domain grabs more favorable to slumlords and trailer-park moguls (of which he's one of the biggest). With the money he spent bankrolling that measure, he could saved the jobs of hundreds of fellow employee-owners.
The direness of this situation goes much deeper than concerns about what the Saturday paper will look like. A grand jury should be investigating the malfeasance of previous Tribune executives who screwed up the Times-Mirror deal and the board members who sold out to Zell, knowing his background. At the very least, Dennis FitzSimons should be made to return his golden parachute to the ESOP.
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Wenalway at 3:35 PM on 7/10/2008
Redesigning the paper does nothing other than make nutcases like Alan Jacobson feel important. His effort provided only a short-term bump in Bakersfield, but like the crazy person he is, he keeps wanting to do the same thing again and again, even though it keeps failing.
We don't need the advice of psychopathic lunatics like Alan Jacobson.
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Mainer at 4:24 PM on 7/10/2008
If the Trib is banking on thoughtful, nuanced stories and great column writing to bail them out of their mess, they'd better look for some decent writers. Few if any there are capable of either.
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Chuck Simmins at 10:56 PM on 7/10/2008
News and features make up a great paper. People may buy features on paper, but news is now a commodity and online is the place to be.
America's North Shore Journal
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Robb Montgomery at 9:43 AM on 7/11/2008
If you would like to see what The Guardian looks like and how the design work was approached - here are some resources. Our members have been covering that UK marvel's groundbreaking redesign for three years on Visual Editors.
-- PAGE GALLERY: http://www.visualeditors.com/redesign/2005/09/the-guardian/
-- PODCAST: http://www.visualeditors.com/2007/02/012-guardian-bbc-world-interview/
Mark Porter, the Guardian's designer, spoke in Boston last year about the redesign.
-- VIDEO: http://vodpod.com/watch/304566-mark-porter-the-redesign-of-the-guardian
THE FORMAT
The Guardian is printed in full-colour - that means every page is full colour and it pages like a magazine in your hands. That is made possible by printing the paper on Berliner presses. That's one very important reason the print product has a solid, up market feel. The right dimensions are important, to be sure, but cutting down the sheet size will not make your broadsheet paper feel like a Berliner.
THE TIMEFRAME
Three months is not a long time.
I redesigned The Examiner for San Francisco, Baltimore and Washington, D.C. over a three month period but that was only really possible because I could start completely from scratch and match the new owners' highly-focused mission. It would not have been possible if there were 30 people running three committees.
REDESIGNING THE COMPANY
The Guardian redux took a 18 months, if I recall, and the print redesign was actually the byproduct of many deeper fundamental changes led by a visionary CEO, Carolyn McCall. Someone with the courage to challenge her staff to be willing to change everything around them but the newspaper's values. That is how change management works.
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ScottM at 1:45 PM on 7/11/2008
Having the people responsible for cratering local radio content is certainly the last place I'd look to rebuild a major city newspaper.
Look Zell is running a great swindle here. He puts in a little bit of his money, submerges the ESOP with a huge amount of debt, and then carves away both fat and meat from the trib with asset sales until only the real estate holdings are left.
He'll then buy them out of bankruptcy for pennies on the dollar.
The saddest part is that the people who should be uncovering this kind of duplicity are now his employees.
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Jane at 2:10 PM on 7/11/2008
As a longtime Grauniad reader(Private Eye satire joke-due to spelling issues the Guardian sometimes has),I would like to point out that the paper has gone through so many looks of which the Berliner in its International Edition and UK edition is the most recent. More importantly, the Guardian has succeeded in providing an alternative to the Telegraph and The Times of London in editorialising against the Iraq War.It is NOT the Guardian of 1997 or 2002. Still, it is a well-connected member of the powers that exist and despite its original Manchester address, it is very London-centric. As for the Tribune, perhaps it is time for the Tribune to ask its readers(yes, the ones who read it!) what they want from the paper,move toward a local approach. The Chgo Journal is managing to do this(and build up advertising) with its acquisition of several Pioneer Press weeklies and writing about the communities(eg Lakeview, Rogers Park, South Loop).
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Outtanames999 at 7:01 PM on 7/12/2008
I still have the first issue of The Reader around here somewhere.
You guys do a great job, but you really need to get out of the near north side more often.
We've already seen the new design. It's in Orlando. There's nothing remarkable about it. It's butt ugly, and in fact if you can find a single designer willing to put their name to it and take credit for it, I will be utterly amazed.
There is less news in the newspaper. More wire stories (just like the Wall St. Journal now has a greater percentage of wires thank you Rupert) and the typography is a complete hack job.
They must have fired all the layout men because it's the worst layed out paper I've ever seen. If you tried to layout a paper like this at anytime during the past 100 years you would be fired on the spot. That is how bad it is.
But if you can get over the visual side, the stories are a bit sharper in focus. There is more female skin in the paper and slightly more slightly-more-bizarre stories.
I can't help thinking that they are pandering the Sam Zell and I am always wondering when I read it now how much Sam would really like this story or that photo because they are clearly designed to appeal to his smart-ass, prurient, but smart businessman personality. That is akin to my own, so I also enjoy those stories and photos.
So, Chicago is sending one of their toward the White House. Now ain't that something?
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Ron Reason at 8:15 AM on 7/25/2008
One question for the Guardian fans: does their recipe of cool/inviting format + provocative/thoughtful writing = increased readership and/or ad demand? (I'm talking print edition only, here.) Anyone have numbers from the last year or two?
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