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The first feature of Babette Mangolte, an American-based experimental filmmaker also known for her remarkable work as a cinematographer for Chantal Akerman, Jean-Pierre Gorin, Marcel Hanoun, Yvonne Rainer, Sally Potter, and others. This 1975 film is not a literal adaptation of Henry James's novel, but it incorporates the idea of a little girl's subjective view of the adult world in a relatively nonnarrative framework: a low-angle look at the sexual intrigues and other preoccupations of grown-ups in a country house, seen by a spectator who is virtually invisible herself. By implication, the viewer is invited to make his or her own imaginative contributions to this subjectivity.

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