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Although it was directed by Billy Wilder, this 1955 CinemaScope classic sometimes seems presided over by Frank Tashlin, with its satire of 50s puritanism and its use of wimpy Tom Ewell as the married and harried book editor driven to dreams and distraction by his upstairs neighbor (Marilyn Monroe, magnificent) while his wife and son are on holiday. Scripted by Wilder and George Axelrod (who bowdlerized his own play to appease the censors); with Sonny Tufts, Evelyn Keyes, and Robert Strauss—also memorable employment of Rachmaninoff's Second Piano Concerto.

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