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Remarkable in its use of cinema verite to obtain a sense of dynamic immediacy, this 1964 film by avowed Marxist and atheist/Catholic Pier Paolo Pasolini (Teorema, Salo) sticks closely to the biblical story of Christ from the Annunciation to the Resurrection. Pasolini uses a complex but seemingly stark and simple visual style, and he evokes wonderful performances from nonprofessionals Enrique Irazoqui, Margherita Caruso, and Marcello Morante.

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