Philadelphia pharmaceutical baron Albert C. Barnes saw greatness in the canvases of Matisse and Van Gogh long before the curatorial caste caught on to post-Impressionism, and before he died he took great pains to protect his world-class art collection from both the grasping Philly establishment and the eyes of the unwashed millions. The restrictive terms of his will notwithstanding, a cabal of politicians and unscrupulous nonprofiteers recently contrived to highjack and commercialize Barnes's treasure through underhanded legal maneuvers and shrewd media manipulation. Documentary maker Don Argott (
Rock School) beautifully explicates how this crew pulled off the most daring daylight art theft in history, though his passionate identification with the pro-Barnes faction limits the movie's political nuance.
By
Cliff Doerksen