Peter Margasak
Chicago Independent Distribution opens a record shop, Logan Hardware, in its storefront at Fullerton and Western.
After tonight's show at Ronny's the Fake Fictions will cease their scrappy and utterly charming noisemaking, which means there will be one less band out there making music for what I believe to be all the right reasons. In an e-mail blast announcing the breakup, guitarist and singer Nick Ammerman explains, "The Fake Fictions are stopping playing music so that they can go to the moon." I guess that's an acceptable reason.
The show starts at 9 PM and the Laureates, Very Truly Yours, and Beauty and the Feast open. The Fake Fictions' entire recorded output is still available to download for free here.

As deep as Chicago’s free-improv scene runs, there aren’t too many folks devoted exclusively to what’s usually called “lowercase sound” or “electroacoustic improvisation,” which is characterized by small sonic gestures, collective development, and an unconventional aural palette that gravitates toward tonal extremes. Last year Jon Abbey, who runs the important New York label Erstwhile—perhaps the most visible and tireless proponent of this stuff—sent me a self-released, self-titled CD-R by a couple of Chicagoans, Graham Stephenson (trumpet) and Dave Barnes (electronics). I didn’t get around to listening to it until very recently, but now that I have it’s clear that these two are pushing in a very different direction than most local improvisers.