J.R. Jones
The killers are only the biggest, baddest misogynists in the grim "Red Riding" trilogy.
Show: Joe Frank "His stories range from penetrating personal discussions of love and mortality to outsize tales of outrageous folly, like the one about a businessman attempting to set up a luxury ski resort in the middle of the Sahara desert," writes Alex Yablon. "But regardless of subject matter, they generate the sort of deeply uneasy, darkly hilarious mood associated with a David Lynch movie."
8pm, Steppenwolf Theatre, 1650 N. Halsted St., 312-335-1650, $29
Dinner: Salpicon Though she didn’t actually cook for Rick Bayless—Priscila Satkoff was his assistant—the Mexico City native’s early training at the side of her mother and grandmother helped propel her tiny Old Town spot to an upscale destination rivaling her old boss’s.
1252 N. Wells St., 312-988-7811
A revisionist notion that has never gotten any serious traction, no matter how fervently the children of the 1930s isolationists keep putting it on the table, is the one arguing that America entered World War II under false pretenses. The argument isn't that the attack on Pearl Harbor didn’t take place — a whopper of that magnitude would have to await the historic breakthroughs in human credulity that have given us a staged moon landing and 9/11 as an American plot. It's that — or so they keep insisting — FDR knew about the attack in advance and kept his mouth shut because he wanted us in the war.

It's an opportune time to explore Japan's relationship to nature, what with The Cove's Oscar win and yesterday's arrest in Tokyo of New Zealand anti-whaling activist Peter Bethune.
Surely this isn't the kind of profile the Japan Information Center is going for with its Japan and Nature Film Series, concluding Friday 3/12 at Columbia College with a free screening of Masaki Haramura's documentary School of Nature: The Children of Satoyama.
“Children will not grow unless they are put in a risky environment. They will not grow healthily unless they get injured, covered in mud and play rough and physical games," Eijyu Miyazaki says in the film. Haramura examines Miyazaki's iconoclastic pedagogy and its impact at the Kisarazu Community Nursery School in Satoyama, Chiba.