Michel Piccoli plays a small-city vice cop determined to stop a major crime, even if it means planning the crime himself. He hatches a plot to lure a gang of two-bit criminals into robbing a bank, planting the idea in the head of a prostitute (Romy Schneider, at her saddest and most elegant) who’s close with one of the hoods. This 1971 French feature inverts the standard-issue police movie to fashion a complex moral dilemma: the solitary officer seems like a monster, while the criminals (who exhibit a familial sense of loyalty) become the most sympathetic characters. Claude Sautet cowrote and directed; in hindsight this seems to split the difference between his early crime films (
Classe Tous Risques,
The Dictator’s Guns) and the chamber dramas (
A Simple Story,
Un Coeur en Hiver) that
defined his later career. Also known as
Max and the Junkmen. In French with subtitles.
By
Ben Sachs